A Quote by Robert Bresson

The point is not to direct someone, but to direct oneself. — © Robert Bresson
The point is not to direct someone, but to direct oneself.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Either one or the other [analysis or synthesis] may be direct or indirect. The direct procedure is when the point of departure is known-direct synthesis in the elements of geometry. By combining at random simple truths with each other, more complicated ones are deduced from them. This is the method of discovery, the special method of inventions, contrary to popular opinion.
I am very direct, to the point that I think I might make people uncomfortable! I do not know how not to be direct. I don't think there's time to waste.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
I honestly never wanted to direct. It was only when I started to work on 'Alexander the Great' that I realized I had to direct. I saw something so specifically in my mind, I could not leave it to someone else.
My partner Dan Ireland wants me to direct, and I read a lot of scripts - some good enough that I could see myself. But then it's like, so what? Who cares? Let someone else direct it.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
You have to separate artistic ability from ethnic origin. Not only am I not black, I am also not a woman, therefore how can I direct women? I am also only 42, therefore how can I direct someone who's 60? So you see where the argument ends up? If you take it to its logical conclusion, I would have to walk around and point a video camera at myself. And who the hell is interested in that?
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
I've gotten to a point where I wouldn't direct someone else's material. It would only be something totally original.
When I direct my own scripts, it's much easier as it's been in my head for a year already... What I love about this is having an idea and seeing it come to fruition on screen. I would like to direct someone else's script one day, but I might not get round to it before I die - you can't legislate for being hit by a bus!
Because if a woman can only direct women, and men can only direct men, and Black directors can only direct Black actors, then we are missing out on opening up voices to different perspectives.
Pride works from within; it is the direct appreciation of oneself.
Oh, God, give me grace for this day. Not for a lifetime, nor for next week, nor for tomorrow, just for this day. Direct my thoughts and bless them Direct my work and bless it. Direct the things I say and give them blessing, too. Direct and bless everything that I think and speak and do. So that for this one day, just this one day, I have the gift of grace that comes from your presence. . . .
I try to direct myself the way I direct the other actors who come on my show.
I can direct breakfast, lunch, and dinner. I take pride in my kitchen, but I'm not going to direct a movie.
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