A Quote by Robert Bresson

When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the outer. — © Robert Bresson
When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the outer.
He who is insolent towards men is insolent towards God... Respect in man the grand, inestimable image of God and be forbearing towards the faults and errors of fallen man, so that God may be forbearing towards your own.
Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.
In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.
[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together.
A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
We have a very precise image - an image at times shameless - of what we have lost, but we are ignorant of what may follow or replace it.
For me, the child is a veritable image of becoming, of possibility, poised to reach towards what is not yet, towards a growing that cannot be predetermined or prescribed. I see her and I fill the space with others like her, risking, straining, wanting to find out, to ask their own questions, to experience a world that is shared.
Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ. Just as the figure of David lay hidden within the marble, discernible only to the eye of its creator, so the image of God (however tarnished by sin) lies within us, see and known by God Himself. Yet God loves us while we are still sinners. He doesn't have to wait until we stop sinning. Acceptance of His love is a major step along the road that leads to our liberation from the tyranny of sin.
As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.
I take myself seriously and want my image to me more than just something aesthetically suited towards selling records.
The Land where humanity has attained its highest towards gentleness, towards generosity, towards purity, towards calmness - it is India.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
To image the being of God towards the world, to be the priest of creation, is to behave towards the world in all its aspects, of work, and of play, in such a way that it may come to be what it was created to be, that which praises its maker by becoming perfect in its own way. In all this, there is room for both usefulness and beauty to take their due place, but differently according to differences of activity and object.
All objects transmit their image to the eye in pyramids and the nearer to the eye these pyramids are intersected the smaller will the image appear of the objects which cause them.
When you put an image on the newsstand, you have literally two seconds to get somebody's attention. Often, with many of the subscriber covers, they're far away and the thing that catches your attention more than anything on the newsstand is eye contact.Because you've got a smaller image, and sometimes a darker image, often it doesn't stand out, as much as a traditional newsstand cover, which is why we continue to do right for newsstand.
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