A Quote by Robert Bresson
Films can only be made by by-passing the will of those who appear in them, using not what they do, but what they are.
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It's difficult to make the interesting feature films that don't fit easily into a genre, even on modest budgets. It's tough to get those films made, but I'd rather try to get those films made than compromise too much.
There is no necessity for the man who means to be an orator to understand what is really just but only what would appear so to the majority of those who will give judgment; and not what is really good or beautiful but whatever will appear so; because persuasion comes from that and not from the truth.
As an artist, I am here to get involved in meaningful films. But that does not mean only films like 'Arabikkadha' should be made. If you give an overdose of such films, the subject will become jaded.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
Perhaps in time, Ella, the words we have lost will fade, and we will all stop summoning them by habit, only to stamp them out like unwanted toadstools when they appear. Perhaps they will eventually disappear altogether, and the accompanying halts and stammers as well: those troublesome, maddening pauses that at present invade and punctuate through caesura all manner of discourse. Trying so desperately we all are, to be ever so careful.
With excessive digitisation, now, everyone is making films, which is good, but the makers think that they will quickly make films in digital and bag satellite rights but television channels buy satellite rights of notable films only. If we made fewer films a year, percentage of hits would be better.
Passing the veil does not alter a man; it certainly takes him from the eyes of flesh, but the capacity, the intelligence, the thinking powers, are all alive and quick; and if they hear the Gospel they will be glad, and the promises are made to them, and they will rejoice in them.
The prevailing legal and moral views of a time are held not only by those whom they benefit but by those, too, who appear to suffer from them. Their domination is expressed in that fact- that the people from whom they claim sacrifice accept them.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
My films are about faith, and they're made on faith. There has to be faith because making a movie, so many things can go wrong. Me and my crew take the leap together, trusting the net will appear. I've been fortunate even though I've worked with small budgets, people have donated time and talent because they feel the films have something important to say.
At the end of the day, what difference does it make if you made 10 films or 18 films? You made 10 films, but you had a great relationship with your kids, or at least you did your best not to screw them up irrevocably, or you made 18, and they don't return your phone calls.
The day that man allows true love to appear, those things which are well made will fall into cofusion and will overturn everything we believe to be right and true.
Everyone is using the Internet for almost everything - trailers, ads, movies, and short films. This is the only thing that will reach everybody in the world.
The kind of films being made, that are called experimental, only happens when the industry is confident enough for them to work and I believe that soon we will see a 100 crore blockbuster Punjabi film.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
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