A Quote by Robert Carlyle

A lot of my work is with children and there's a reason for that, because they really level you. — © Robert Carlyle
A lot of my work is with children and there's a reason for that, because they really level you.
With Rodham, for instance, it has to work on an emotional level. It has to work on a character level. If it's only "Look, it has famous people," then it's a wax museum come to life and that's really boring. It's sort of like what they say about science fiction and horror where the really good ones, if you remove that element of it, it still has to work. That's the reason The Shining works or Rosemary's Baby or Blade Runner.
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling. A lot of people get to this level and they're like, Now I do four cities in one week and they tour nonstop. I'm like, No, that sounds miserable. I'll just do two weekends a month. But whenever I'm in some awful place geographically, it's no longer that awful, because you've got the Internet and television.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
The level of trust is extraordinarily low and the level of suspicion extraordinarily high, and with good reason and on both sides. The press has hunkered down for very good reason, because it's being treated like a mushroom.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
I don't believe in leaving a scene in because it was really hard to shoot, or because it's the reason you took the movie, or because you always wanted to work with an actor . . . If it's not making the movie work, get rid of it.
The reason I actually ran for office is because of Hillary Clinton. Everybody was telling me why I shouldn't run: I was too young, I had small children, I should start at the school board level.
It is a shame that homebrew development can't be officially sanctioned and supported, because it would be a wonderful platform for a modern generation of programmers to be able to get a real feel for low level design work, to be contrasted with the high level web and application work that so many entry level people start with.
I enjoy my work. The reason I worked so hard all my life is because I want to be making big decisions and managing at the very highest level.
It's really hard to copy another actor and be successful. In fact, that's usually the reason people are not good, because they're copying something they've seen, but, for some reason with their face and their body, it doesn't work.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.
I am frustrated by celebrities who decide to write children's books because they think it's easy. That drives me crazy. It's frustrating because it's unfair to children. Because they'll get a lot of attention, they'll get a lot of marketing budget and so on just because they're a celebrity - the Madonnas, the Ricky Gervaises, the Russell Brands.
I've discovered that I can't trust the ratings board at all, because they have - to my mind - a perverted point of view about what's appropriate for children. They think that if you see any part of a male or female anatomy, we have to protect children from it, which is not true, and they think almost any level of violence is okay for children, which is absolutely not true... They're really off the mark.
I'm usually the first guy to propose a change because I'm continuing my process. We're in a context, in this business, a context in which most screenplays work on a very modest level of achievement, in that a lot of them aren't really written by what you would call writers.
A lot of mothers want to be with their children. They can't afford it for this reason or that reason.
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