A Quote by Robert Carlyle

I like to be working and moving - the worst thing you can do to me is stick me in a room all day while you're lighting a shot. That just kills me. — © Robert Carlyle
I like to be working and moving - the worst thing you can do to me is stick me in a room all day while you're lighting a shot. That just kills me.
If you see a child with autistic-like behaviors at age two and three, the worst thing you can do is just let them sit and watch TV all day. That's just the worst thing you can do. You need to have a teacher working with that child, working on teaching language, working on social interaction, working on getting them interested in different things, and keeping their brain connected to the world.
I will find a way to you if it kills me if it kills me if it kills me (I think it might kill me).
The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.
It's... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. It's the worst thing you'll ever have to live with. It was very hard for me to get back on the horse again.
Its... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. Its the worst thing youll ever have to live with. It was very hard for me to get back on the horse again.
My poor mum had a lot of problems with me around that time. I was young but I'd been working for years, so if she asked me to clean my room I'd say, 'You can't tell me what to do after I've worked a 12-hour day.' It gave me a power that no one that age should have.
I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
Someone spoke to me last night, told me the truth. Just a few words, but I recognized it. I knew I should make myself get up, write it down, but it was late, and I was exhausted from working all day in the garden, moving rocks.
I don't like having noise swirling around me. Loud noises bother me, so I try to stick to the outside of a room.
I don't like having noise swirling around me. Loud noises bother me, so I try to stick to the outside of a room. I try to keep the noise in front of me.
Do I want to tackle a 230-pound guy who's running like a deer? Heavens no, no one in their right mind would. But there is something that drives me and compels me to stick my head in there and give it my best shot.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
You asked me once,' said O'Brien, 'what was in Room 101. I told you that you knew the answer already. Everyone knows it. The thing that is in Room 101 is the worst thing in the world.
Forty freaked me out. I didn't see it coming. My life was in a state of chaos - I was moving jobs and moving house - and it just hit me like a ton of bricks.
Someone spoke to me last night,/ told me the truth. Just a few words,. but I recognized it./ I knew I should make myself get up,/ Write it down, but it was late,/ and I was exhausted from working/ all day in the garden, moving rocks./ Now, I remember only the flavor--/ not like food, sweet or sharp./ More like a fine powder, like dust./ And I wasn't elated or frightened,/ but simply rapt, aware./ That's how it is sometimes--/ God comes to your window,/ all bright light and black wings,/ and you're just too tired to open it.
I started playing guitar, like, when I was 17 or so, but where I'm from, you just don't hear about people moving to Nashville and making it. It was such a foreign thing to me. I never knew music was an option for me.
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