A Quote by Robert Carlyle

Acting is a really insular thing. — © Robert Carlyle
Acting is a really insular thing.
If there's one thing I don't have, it's an insular bone.
It was the desire to do the complete thing. I only took taking acting lessons because my whole thing, really, was to direct. But my first jobs were acting jobs.
The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.
When I record, it's this very precious and insular thing.
I used to be really insular, really introverted. I couldn't articulate myself.
Acting is very much my life, but acting is what I want to do so to be able to say that is a really fortunate thing.
I've become really aware since putting out music that some people can't get past the acting thing. But acting was never what I meant to do.
I've been acting since second grade, telling stories, making my parents laugh here and there, so I'm hoping my "thing" is acting. But I also make a really good bread pudding.
I've been acting since second grade, telling stories, making my parents laugh here and there, so I'm hoping my 'thing' is acting. But I also make a really good bread pudding.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.
I've never been that comfortable with the acting thing. It's difficult for me to separate what's really going on. If there's kissing, that's kissing. I'm not acting; I don't know how.
I really, specifically, love acting, and I think it's a really cool thing to be really indulgent and follow that.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
I really think that studying theater early on really helped me to be able to identify how to get into a character, because it's such a mysterious thing. Learning objective acting in the beginning of my career was the best thing I could have ever done.
I wasn't really driven to be an actor or anything, but in college I decided to study acting, much to my parents' disappointment. I attended Mason Gross School of the Arts at Rutgers where Bill Esper was, and that is where I really got hooked on the art of acting, and, almost, the chemistry of acting.
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