A Quote by Robert Carlyle
I used to be a rabid reader, but now it's scripts or nothing - network television is quite relentless, and you can't drop the ball.
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You used to be taught to let the ball go as far as possible and then drop it on the runner, whereas now it might be even more advantageous to direct the ball in front of the bag and get the guy on the leg.
Everything you look at now, the scripts that come in that you look at, the television scripts are way better than the movie script. The talent is going to television.
When I used to drop the ball, it was because of concentration, trying to run before I caught the ball.
I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
Evil itself may be relentless. I will grant you that, but love is relentless too. Friendship is a relentless force. Family is a relentless force. Faith is relentless force. The human spirit is relentless, and the human heart outlasts - and can defeat - even the most relentless force of all, which is time.
Now, you always know there's going to be some compromise when you're doing something for television, and especially network television.
I now have had my foggy crystal ball for quite a long time. Its predictions are invariably gloomy and usually correct, but I am quite used to that and they won't keep me from giving you a few suggestions, even if it is merely an exercise in futility whose only effect is to make you feel guilty.
Training's completely different now. It used to be a lot of running and work without the ball. Now it's all with the ball, which any player loves.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
It was hard, that confrontation scene [in "Fences"], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.
It's no accident that Julia Child appeared on public television - or educational television, as it used to be called. On a commercial network, a program that actually inspired viewers to get off the couch and spend an hour cooking a meal would be a commercial disaster, for it would mean they were turning off the television to do something else.
I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.
When I started bowling with a cricket ball, I was quite nippy, because I was already used to exerting more energy with the tape ball. So by the time I made the switch, I had already strengthened my shoulders.
Reading scripts is actually quite a relaxing part of the job. Strangely relaxing. This is a whole different ball game.
My Food Network shows, 'Emeril Live' and 'Essence of Emeril,' are not in production right now, but I wouldn't say that I'm necessarily leaving Food Network. I have a lot of television still in me. I enjoy teaching people, so it's just a matter of time before I do something new.
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