It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
When I was younger, it was harder for me to find a black eyeliner that would actually show up on my skin. Being a dark-skinned woman, when you find something that actually shows up on your face, you love it even more.
Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
Alan Funt was the first hidden-camera magician. It was the playful nature of the way he worked that really inspired me. A lot of prank shows and hidden-camera shows can be a little mean-spirited. Funt was never like that.
Niko's angular face caught a flicker of firelight and Tempus saw his future there: sharp purpose, discipline, and power in perfect balance; love of man and gods, and mercy transcending all. If war ever wore a more humane face, this one would make it so.
I usually have a lip balm in my bag and mascara as well. I don't really wear much make-up, but I like mascara because I've got fair colouring.
So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light.
The others followed, and found themselves in a small, stuffy basement, which would have been damp, smelly, close, and dark, were it not, in fact, well-lit, which prevented it from being dark.
What an abyss of uncertainty, whenever the mind feels overtaken by itself; when it, the seeker, is at the same time the dark region through which it must go seeking and where all its equipment will avail it nothing. Seek? More than that: create. It is face to face with something which does not yet exist, which it alone can make actual, which it alone can bring into the light of day.
The key is to not let the camera, which depicts nature in so much detail, reveal just what the eye picks up, but what the heart picks up as well.
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
I'm definitely saying right now that if I had to face Shaq's mom at WrestleMania, I will not show up. I'll be scared. If Shaq shows up, no problem. Shaq's mom shows up, eh, I don't know. I think I might get the flu.
I have a very angular face, so my makeup routine is focused around softening my features, and I've finally learned how to contour to my advantage.
I think it's reasonable to suppose that one could oscillate between being biologically 20 and biologically 25 indefinitely.
Well, because Dawn of the Dead can take place anywhere and it shows that actually the entire planet is contaminated, I would say that it shows the new face of our world - one person, one race, united against the invisible destructive force.
The landlady of a boarding-house is a parallelogram - that is, an oblong angular figure, which cannot be described, but which is equal to anything.