A Quote by Robert Conrad
But I think Barry Sonnenfeld let his ego go out of control. He told me in a meeting that he had to do something to make it his film.
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Once we played at the Fillmore opposite The Cream. Eric Clapton was there and he played his ass off that night ... backstage Michael Bloomfield introduced me to Eric, and Eric was so nice. He came up to me, put his arms around me and said "Barry, it's such a pleasure to meet you" ... I couldn't figure it out... then Michael told me that he had told Eric I had cancer and two months to live...
I've had meetings where a guy actually told me, "What we're trying to figure out is how we can control you." In the meeting, to me! Why do you want to control me?
I met Rajini sir after 'Jigarthanda,' and he said he liked my film. He told me I could approach him whenever I had a good idea. I had never thought he would listen to scripts from new directors. After the meeting, I wondered, 'Should I take his words seriously or not? Should I write something?'
I was really keen on making a film on Balraj Sahni. But when I approached his son Parikshat for his consent, he told me he had already given the filming rights on his father's life to another producer.
Barry Bonds was like Joe Namath or Muhammad Ali. He could make a statement and go out and back it up. Not a lot of guys can do that. In fact, managers usually cringe when guys make statements about what they're going to do. In Barry's case, I liked it. I think he did it on purpose to motivate himself. In a lot of ways, it's easy for Barry. I think he needs a little controversy around him.
I was shown around Ronnie's house by his father, who told his son about meeting me. Ronnie called the estate agent, a friend of mine, and asked me out via her.
He could hear himself screaming and he knew it was his death cry. Still he fought on, as he had fought all his life. I...will...control... The words came from his mouth, stained with his blood... I will control... Reaching out, his hands closed over the Staff on Magius. I will!
The stories my pupils told me were astonishing. One told how he had witnessed his cousin being shot in the back five times; another how his parents had died of AIDS. Another said that he'd probably been to more funerals than parties in his young life. For me - someone who had had an idyllic, happy childhood - this was staggering.
Dimitri. I hadn't known he was here. His eyes were on me too,dark and endless. Only I couldn't read what he was feeling. His face betrayed nothing, but there was something in his eyes...something intense and intimidating. The image of him ready to take down that group of guardians flashed through my mind,and something told me that if I asked,He would fight his way to me through this courtroom and do everything in his power to rescue me from it.
His voice was soft and sweet as molasses; but my mother once told me that you had to trust that the first thing out of a person's mouth was truth. After they have a chance to think about it, they'll change what they say to be more socially acceptable, something they think you'll be happier with, something that will get the results they want.
I think Barry Bonds was in a unique situation given his injuries from a year ago, the fact that he played in just 14 games. Even though I spoke to Barry in December and he was enthusiastic and excited about the possibility, I think the closer he got to the reality of spring training, and as he got himself in shape for the regular season and the San Francisco Giants, he felt like it may be too much of a challenge to try to push his body at this point in his career.
Am I missing something because of my lack of education? Being an intellectual - I'm not. So I hire him as a corner man, like a boxer; he watches me and tells me what I do wrong before I go in for the next round. Barry thought he was going to write what became Executioner's Song, and I told him he wasn't going to. And Barry's closest friend was Joan Didion.
When I was just starting out, I met Cartier-Bresson. He wasn't young in age but, in his mind, he was the youngest person I'd ever met. He told me it was necessary to trust my instincts, be inside my work, and set aside my ego. In the end, my photography turned out very different to his, but I believe we were coming from the same place.
[Doctor Strange] is still quite cocky by the end of the film. No, I'd say the major curve for him is that he learns that it's not all about him, that there's a greater good. But what he thinks he was doing as a neurosurgeon, that was good because it benefitted people's health was really just a furtherment of his attempts to control death and control his own fate and other people's, but that's still driven by the ego.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
If you can control a man's thinking you do not have to worry about his action. When you determine what a man shall think you do not have to concern yourself about what he will do. If you make a man feel that he is inferior, you do not have to compel him to accept an inferior status, for he will seek it himself. If you make a man think that he is justly an outcast, you do not have to order him to the back door. He will go without being told; and if there is no back door, his very nature will demand one.
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