A Quote by Robert Eggers
My brother and I grew up in a setting in the woods very much like 'The Witch' in southern New Hampshire, and then we would drive up north to Maine to settings like 'The Lighthouse' for vacations.
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I grew up in New Hampshire. My closest neighbor was a mile away. The deer and the raccoons were my friends. So I would spend time walking through the woods, looking for the most beautiful tropical thing that can survive the winter in the woods in New Hampshire.
When I go skiing in New England, I usually wake up early and drive up to Vermont, New Hampshire, or Maine to make it in time for chairlift opening. That means leaving early and getting breakfast at one of the little quaint diners up in the mountains.
I certainly grew up in coastal New Hampshire, but I prefer to play in the woods than go to Hampton Beach or whatever.
I grew up in a city - it's called Lawrence, Massachusetts. It's about half an hour north of Boston. When my parents got divorced, I moved to New Hampshire because my father worked up there.
I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.
I grew up in the north woods of Canada. You had to know certain things about survival. Wilderness survival courses weren't very formalized when I was growing up, but I was taught certain things about what to do if I got lost in the woods.
I have three boys. And I wanted to make sure it connected with them and then those guys who grew up like me, in environments like me.And then I knew something about science that your New York Times reader would be interested in. So I was thinking about it in multiple ways: I'll connect with the people who grew up like me first, and then the New York Times reader will be interested in the science because it's so good and they want to be "in the know."
When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this
When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this.
This character feels so much like my brother. He has two children. He has a wife. He works with me. He chooses to stay in New Hampshire because he wants his kids to grow up in the school they started with. He doesn't want them to lose friends. He is his family's hero.
I always loved theater, growing up, and I was always like, 'Wow, it would be so fun to be an actor.' But my next thought was, like, 'I'm from Nowhere, Maine.' You know, no one's from Maine!
Three years into getting 'The Witch' financed, I was hanging out with my brother and he was like, 'I'm working on this script. It's a ghost story in a lighthouse.' I thought, 'Damn, that's a really good idea, I wish I'd had it.'
I left New York in 2009 when I fell in love with someone who had a farmhouse in New Hampshire... Portland, Maine, felt like the inevitable place for us.
My wife Jennifer's family is all from there. Jennifer grew up there, so we have personal ties forever - her mom, dad, her brother, her twin brother - so, there's certainly a personal connection there that will also be there. Also, even though I grew up in Omaha, I feel like I really grew up in Milwaukee.
So my father grew up in an orphanage in Boston. He was then adopted by an elderly childless couple from Maine, who gave him the name of Mitchell. He moved to Maine, and there he met my mother and was married.
The Witch' was very well planned, but 'The Lighthouse' was so much more so.
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