A Quote by Robert Eggers

I definitely hope to create, to tell some stories on larger canvases, which does mean making something that is narratively more broad. But that's not a bad thing. — © Robert Eggers
I definitely hope to create, to tell some stories on larger canvases, which does mean making something that is narratively more broad. But that's not a bad thing.
I'm not lacking for enthusiasm as you can see, given that I have something like 65 canvases covered with paint and I'll be needing more since the place is quite out of the ordinary; so I'm going to order some more canvases.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
the leader releases energy, unites energies, and all with the object not only of carrying out a purpose, but of creating further and larger purposes. And I do not mean here by larger purposes mergers or more branches; I speak of larger in the qualitative rather than the quantitative sense. I mean purposes which will include more of those fundamental values for which most of us agree we are really living.
Just because life is hard, and always ends in a bad way, doesn't mean that all stories have to, even if that's what they tell us in school and in the New York Times Review. In fact, it's a good thing that stories are as different as we are, one from another.
Lies are just stories, and stories are all that matter. We all tell stories. Some are more truthful than others, maybe, but in the end the only thing that counts is what you can make people believe.
What does it mean to dance? What does it mean to commit a crime? What does it mean to be anxious? What does it mean to tell a joke? The great thing about the French is that they have thought about these subjects in a great variety of ways and are a very articulate people.
Ours is a bad, bad world, but does that mean nothing's good? Does it mean we have run out of things for which to be grateful? No, no, a thousand times, no!
I mean, I think there's a lot of hope in my work. I don't think I'm a total pessimist, so I think you can find hope in all my films. Some more than others, but there's definitely... I think we want to convey the feeling of hope with the montage at the end.
The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.
So we have broad bipartisan support for the bill, and it's my hope that we can build on some of the things that have been talked about in Washington involving building a larger ownership society.
For my part, I am very much more afraid of the man who does a bad thing and does not know it is bad than of the man who does a bad thing and knows it is bad; because I think that in public affairs stupidity is more dangerous than knavery, because harder to fight and dislodge.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
I like to tell untold true stories, or the lesser-known aspects of larger, familiar stories. I think people or topics that are slightly on the edge or outside the mainstream often reveal more than better-known stories.
There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
Revenge is a way of life and definitely some thing that we identify with. We all feel cheated in some way about some thing and how nice it would be to do something about it. I mean ultimately it's not the most Christian of sentiments.
I should like to know if, taking this old Declaration of Independence, which declares that all men are equal upon principle, you begin making exceptions to it, where will you stop? If one man says it does not mean a Negro, why not another say it does not mean some other man?
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