A Quote by Robert Eggers

For some reason, no one wanted to give me money to make a movie written in early modern English that involved a lot of puritans praying - even if it did involve a witch.
I did this very cheap movie called 'Love,' and then I decided I wanted to make an even cheaper movie so people don't get involved and can't tell you how to rewrite it or how to avoid losing money. The good thing about doing these quite cheap movies is that you have much more freedom.
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.
- L, did you know we’re reenacting the Salem witch trials in English tomorrow? - Haven’t been memorizing your case file? Do you even look in your backpack anymore? - Did you know my dad is videotaping it? I do. Because I walked in on his lunch date with Mrs. English. - Ewww. - What should we do? - I guess we should start calling her Ms. English? - Not funny, L.
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make.
I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it.
I was watching 'Sabrina the Teenage Witch' - the episode where Sabrina and her friend make a vampire movie for college. I wanted to see if it would be fun to make a horror movie.
The Puritans left England for America not because they couldn't be Puritans in their mother country, but because they were not allowed to force others to become Puritans; in the New World, of course, they could and did.
As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.
A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
I studied English literature in the honors program, which means that you had to take courses in various centuries. You had to start with Old English, Middle English, and work your way toward the modern. I figured if I did that it would force me to read some of the things I might not read on my own.
I devoted my life to music for a reason, and the reason wasn't because I wanted to get on or make money, but to try to fulfil myself and also to give people pleasure. That's been my credo.
Some stories I write in Swedish, some in English. Short stories I've almost exclusively written in English lately, mostly because there's such a small market for them in Sweden and it doesn't really pay either. So, the translation goes both ways. What also factors in is that I have a different voice in English, which means that a straight translation wouldn't be the same as if I'd written it in English originally.
When I made 'Voices of a Distant Star,' I wanted to make money from making that movie, of course, but that wasn't my major reason.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
A witch who is bored might do ANYTHING. People said things like 'we had to make our own amusements in those days' as if this signified some kind of moral worth, and perhaps it did, but the last thing you wanted a witch to do was get bored and start making her own amusements, because witches sometimes had famously erratic ideas about what was amusing.
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