A Quote by Robert Eggers
Basically, I had a hard time getting anyone to want to make any of the features that I had written.
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By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
'Hardware' came about because I had written quite a few scripts and hadn't had any luck getting them made.
he first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.
My parents were struggling actors who had a hard time getting work. That's why I hesitated about getting into acting, I had seen them going through that.
We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.
We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.
For me, I grew up doing kiteboarding where no girls are doing it, and you had to prove yourself. You just had to know that you could do it, too. It's the mentality you had to have to make it. I work hard like anyone else.
Any analyst at any time can target anyone. Any selector, anywhere I, sitting at my desk, certainly had the authorities to wiretap anyone, from you or your accountant, to a federal judge, to even the President
So if 1960 had occurred under the old convention system, Kennedy would have had a very hard time getting the Democratic nomination because he would have been rejected by all those people who had worked with him in Washington.
It's so funny. I honestly thought every one of those people on the show could beat anyone at any time anywhere. You just have to have a slightly off day or moment or two or you missed a touch of acid. It has nothing to do with credentials. Anyone could've chopped anyone at any time. I had to look at myself as the one who could lose this the most.
This as hard an R as we wrote in the beginning. It was fast. It was fast mainly because of De Luca. We came in with De Luca. Nic I think had a deal with Millennium and so we ended up with Millennium quickly and they said, 'Go make the movie that you want to make. Basically, here are the ground rules; stay within the budget, stay within the time and go make your movie.'
If I had a project that I had auditioned for and I was getting close to getting it, I didn't want to tell anybody because I thought then I wouldn't get it, but in reality that really had no bearing on whether or not I got a part.
Had Rumsfeld said at any time 'get me a report on what's going on', he could have had it. You're right, it depends on choices that we make, which parts of the world we want to be in immediate contact with.
I don't know if I've ever had the autograph requests that I've had. It's hard to say no, especially when somebody's out there and they're asking. It would have been hard for me to hear no when I was a kid, so you try to make time and prepare for that, I guess.
I have no objection to well-written romance, but I'd read enough of it to know that that's not what I had written. I also knew that if it was sold as romance I'd never be reviewed by the 'New York Times' or any other literarily respectable newspaper - which is basically true, although the 'Washington Post' did get round to me eventually.
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