A Quote by Robert Eggers
Honestly, if I could shoot everything in 1:33, I would.
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I was constantly surprised by how things took shape, whether it was something that was funny or [sharp] or some of these more simple, quiet moments in the woods. Honestly I would say everything and nothing. I honestly don't think it's different than on any other film [Swiss Army Man]. I think I would probably ask questions of everything always.
I couldn't shoot. When I went to play in Europe, I learned to shoot better. I could jump, so people would just back off of me.
Be worried if no one is criticizing you. Your job in life is to ignore the 33% who will never like you and do your best to convince the 33% who don't care either way to join the 33% who love you
We [Raymond and Meursault] stared at each other without blinking, and everything came to a stop there between the sea, the sand, and the sun, and the double silence of the flute and the water. It was then that I realized that you could either shoot or not shoot.
He was magnificent; very clever with outstanding technique. He could pass the ball over five yards or fifty; he could see things to set up other people; he could shoot and he could score goals. If you gave me Paul Scholes and ten others, I would be happy. I would tell them to give him the ball and then we would have a good team.
The numbers I've shot, the percentages, they obviously are what they are and people are going to dissect everything but, I honestly feel like they're all going to go in when I shoot the ball.
If I have to start my career afresh, I would like to repeat everything, good or bad, which I did in the past 33 years.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.
When every guy on the team and the coaching staff is telling you, 'shoot it, shoot it,' obviously I've always known I could shoot it, but it was more of a trying to get the guys involved and being that middle man.
I can honestly say - not proudly, but honestly - before I had a child, I would see things on TV or hear the news, feel sad for the people and move forward with my day. Now I see everything through a mother's eyes.
I remember when my daddy gave me that gun. He told me that I should never point it at anything in the house; and that he'd rather I'd shoot at tin cans in the backyard. But he said that sooner or later he supposed the temptation to go after birds would be too much, and that I could shoot all the blue jays I wanted - if I could hit 'em; but to remember it was a sin to kill a mockingbird.
After my final Breaking Dawn scene, I felt like I could shoot up into the night sky and every pore of my body would shoot light. I felt lighter than I've ever felt in my life.
I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.
A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.
There used to be a period of time when you'd shoot big studio movies where you would shoot a couple of pages a day. For a TV show, you've gotta shoot seven to nine. The schedules are much more compressed.
Jesus said, "Any of you who does not give up everything he has cannot be my disciple" (Luke 14:33). We must honestly face the question, "Am I willing to give up a certain practice or habit that is keeping me from holiness?" It is at this point of commitment that most of us fail. We prefer to dally with sin, to try to play with it a little without getting too deeply involved.
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