A Quote by Robert Eggers

So we didn't have any stars for 'The Witch.' A24 felt they needed something special for marketing, and they wanted to have the Satanic Temple endorse the film. — © Robert Eggers
So we didn't have any stars for 'The Witch.' A24 felt they needed something special for marketing, and they wanted to have the Satanic Temple endorse the film.
One of my first dates with a witch was on a satanic altar, and I didn't know it. I mean, there's little blood there and stuff like that. …We went to a movie and then had a midnight picnic on a satanic altar.
I've worked with people who wanted to be creative every day: it was like a goal to arrive with something very special. Sometimes it's just disturbing, because special is good when it's needed. But when it's not needed, it's confusing, and you go away from the authenticity by a strong desire to be unique and singular.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
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I wanted something new, the supernatural. The witch, the sorcerer, I love this. I love the films of the witch and sorcerers and magic, its wonderful!
I didn't like to wear the same clothes as everyone else. I wanted to be special, also because I knew I needed something else. I found it more fun to play as a goalkeeper than any other position.
If a witch needs something, another witch will give it to her. If there is war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor. An insult to a bear is a deadly thing. To us...inconceivable. How could you insult a witch? What would it matter if you did?
I feel like there's a witch hunt by some film sites and people that immediately disregard something if it shows any sort of influence.
The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.
I kind of wanted someone to rearrange the stars so they spelled out his words. I needed them big and bright, and somewhere I could see then when things felt dark. I love you. And I'm so, so proud.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
When I was young, there weren't any teenage girls I could relate to in film. They were all put in boxes: the virginal good girl, the really sarcastic asexual one. I wanted to do something that represented how I felt then.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
When I started studying acting in New York, I didn't plan to be an action hero. I just wanted to learn acting because I felt it was something I needed to try to do for myself, to express something, my inner pain, or something I couldn't get out.
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow, there's something special about living as an Englishwoman in Paris.
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.
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