A Quote by Robert Genn
The oceans of art are awash with people who can't paint. When those who can't paint notice those who can, they are sometimes not inclined to accept them as serious like themselves. It's an unfortunate quirk of human nature and ought not to be fretted over.
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The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
Sometimes I seem to be two people. One who does not paint and one who does. The one who does not paint assumes that the one who does can paint anything. The one who is the painter sometimes finds it difficult to live up to that faith.
I remember one time in my junior year, in my art class, our teacher had us doing, like, finger paints, and I went and put a stripe on a girl's shirt, and it turned into a big paint fight. Paint all over the walls, all over everybody. It was pretty fun.
I don't write just to be clever. But sometimes I do. And if you don't have an understanding of the language, then the way in which it's bent doesn't actually register. It's the old you-gotta-paint-like-them-before-you-can-paint-like-you thing.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
If women were by nature what they make themselves by art; if they were to lose suddenly all the freshness of their complexion, and their faces to become as fiery and as leaden as they make them with the red and the paint they besmear themselves with, they would consider themselves the most wretched creatures on earth.
I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
The paint for the grey paintings was mixed beforehand and then applied with different implements - sometimes a roller, sometimes a brush. It was only after painting them that I sometimes felt that the grey was not yet satisfactory and that another layer of paint was needed.
Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I don't paint like a woman is supposed to paint. Thank God, art doesn't bother about things like that.
I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colors for those who see none.
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