A Quote by Robert Greenwald
Filmmakers now have the freedom to create the type of movie they want. More screenwriters, directors, and producers now have the chance to see their words on screen now that VOD and streaming outlets are available. Overall, it's a good thing for filmmaking and documentarians.
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Here's the thing: life is now. It's not ten pounds from now, it's not twenty pounds from now, it's not a million dollars from now. It's right now. And you just have to take a chance.
You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."
We may taste of every turn of chance - now rule as Kings, now serve as Slaves; now love, now hate; now prosper, and now perish. But still, through all, we are the same; for this is the marvel of Identity.
Make up your mind that nothing is more important than how I feel now, because now is everything. Now is the whole enchilada. Now is the power of me. Now, now, now, now, now... You might as well start somewhere, and it might as well be now. Why not start improving your life now, now, now?
Sure, there are plenty of ways to waste this day. But you now have the chance to choose to make good and valuable use of it.
Now is an opportunity to create value. And that opportunity cannot be delayed until later.
Now is yours to use for whatever rich and fulfilling purpose you can imagine. Stand up, step forward, and get busy making the very best of now.
Step into this moment, because it is the only one you have right now. It is not wasted or thrown away. The divine opportunity could be stolen unless you tell yourself it is here right now; available to you this moment, to make of it anything you choose. Why not choose this moment, right now, to be available to yourself by declaring, I AM GOOD! . . . . The richness of the present is here. The fullness of now is present. If you are not here now, it means you could be missing the love, joy, peace and brand-new ideas that are here right now.
Because I've made a film with such an amazing director as Tarantino, I'm much more conscious of working with good directors from now on, so that's what's important to me. I don't really care about making a big movie - I just want to make good ones.
My songwriting and overall approach to music go beyond just good singing and strong musicality - I want people, now more so than ever, to feel something and be moved somehow by the content I create.
Streaming is a really big market for me. We've been doing great in the streaming market, so it's not something I want to alienate at all. Streaming counts now. They're treating artists the way we deserve to be treated.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
Having worked on climate crisis for almost 40 years now, I've seen good days and bad days. And through all of that time, the general trajectory has been it's getting worse, it's getting worse. But in the last ten to 20 years, there's a second development; the solutions are more and more, and more available. So having this broad overview that I've developed over a long period of time, I now see the evidence that the solutions are available. We're gonna do this.
The Postal is a ruthless, Mad TV-type thing. We sent out a DVD to the South Park producers, and they liked the movie so much that we can say now, "It's like South Park with real actors" on the trailers and posters.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
Oh, now, now, now, the only now, and above all now, and there is no other now but thou now and now is thy prophet.
It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.
It's a terrible thing, I think, in life to wait until you're ready. I have this feeling now that actually no one is ever ready to do anything. There is almost no such thing as ready. There is only now. And you may as well do it now. Generally speaking, now is as good a time as any.
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