A Quote by Robert Greenwald

What I always try to do is make the political personal. — © Robert Greenwald
What I always try to do is make the political personal.
If Marxist theory dictates that the personal is always political, the rebuttal of both 'The Americans' and 'House of Cards' is that the political is always personal: the sum total of our collective needs and desires, vows and betrayals.
I've always been interested in socially political, or overtly political, comedy. And I guess I've always liked to channel some kind of personal element to that.
To me, a political song is also a personal song. Most political activism has been driven by empathy for other people and the desire for a world that's less divisive. Even if songs aren't overtly political, they can make a listener more empathetic.
Be personal, and original. Try to work clean. Stay away from topical material, as it does not allow you to craft it to make it better for later. And always remember that it is the fans who will make you or break you.
The state dinner is almost a formula, but you try to make it interesting. You try not to overload it with too many political types. You try to get a cross section.
There are people with an explicit political bent complaining about people having political agendas while nominating stories with political agendas. Is it political to try to be diverse? Is it political to try to imagine a non-heteronormative society? Yes, because it involves politics. But how do they expect us to not write about our lives?
I think you have to have a personal connection, and that's what I am always looking to try to create: a personal way in to a story.
When we make political films, there are people with political opinions. They try to discredit you and run you down.
A big part of what I wanted to do with this character was go from when I was a boy and try and develop into a man, really try and play him as a man who is on this search, on a journey of personal, spiritual, political, social discovery.
I always make a point to make my records different. Let's say I have a record that's influenced by hip-hop in an abstract way; for the next record, I'd try not to do that. They are all connected in a personal way but it's important not to repeat myself, because then I can always learn something about myself through my work.
My approach every game really tries to stay the same. I try not to make it about me. I try not to make it about my personal vendettas.
For me, what is political is very personal. Politics are not this abstract idea. Laws are the rules that dictate how we live our lives. What we eat is political. How we dress is political. Where we live is political. All of these things are influenced by political decision-making, and it's important to be part of the process.
I think it's important to wear clothing that means something to you, and so I always try to make sure I'm wearing at least one item that has a personal meaning to me.
Every once in a while an issue comes up where I have to make a statement. I can't totally avoid all political issues, but I try my best to minimize them. When I do make a statement, I try to be fairly neutral.
And if we make the process political, if we start to make it personal, we're actually going to frustrate good public policy, in terms of managing this money.
I would say I try to make my comedy really personal. I try to tell stories that happened to me, experiences from my life.
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