A Quote by Robert M. Price
In broad outline and in detail, the life of Jesus as portrayed in the gospels corresponds to the worldwide Mythic Hero Archetype in which a divine hero's birth is supernaturally predicted and conceived, the infant hero escapes attempts to kill him, demonstrates his precocious wisdom already as a child, receives a divine commission, defeats demons, wins acclaim, is hailed as king, then betrayed, losing popular favor, executed, often on a hilltop, and is vindicated and taken up to heaven.
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We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
When you have a popular hero in your film, you have to think of what the masses expect from him. You have to portray the hero in such a way that they should adore him.
The Luke Cage you saw in Season One was a reluctant hero. He was trying to figure out if he wanted to be a hero in the first place. And then fate intervened and forced him to step up his game.
It is said that no man is a hero to his valet. That is because a hero can be recognized only by a hero.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
In war-time a man is called a hero. It doesn't make him any braver, and he runs for his life. But at least it's a hero who is running away.
The pulp hero, though he may be a renegade, is a guy who doesn't feel. Anything. Ever. And for the adolescent male - pummeled by emotions left and right, whether arising from sexuality or resulting from his necessary encounters with authority - this hero is a blessing, a relief and a release. The world he lives in, where feelings are totally under control, looks to the adolescent boy like heaven! This hero's lack of feeling - like Star Trek's Spock - is what allows him to be a genius, or allows him to shoot the bad guys and/or aliens, without a quiver to his lip.
If he'd been a hero, he would have taken the opportunity to say, "That's what I call sorted!" Since he wasn't a hero, he threw up.
Pete Bethune is a hero in New Zealand. He's a hero worldwide to people who want to see the end of whaling.
There is no such thing as a Bollywood hero or Hollywood hero. All you see on the screen is the lead actor's interpretation of the role that has been conceived by the writer.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
It is said, that no one is a hero to their butler. The reason is, that it requires a hero to recognize a hero. The butler, however, will probably know well how to estimate his equals.
In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.
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