A Quote by Robert Morris

Well, I don't know any piece by heart, but Mozart goes something like this... What do you think? — © Robert Morris
Well, I don't know any piece by heart, but Mozart goes something like this... What do you think?
If you've never heard a piece of Mozart, then Mozart could sound scary or confusing, so it's all about learning.
Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can’t explain — I don’t need to. I know that if there’s a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I’m here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.
When Mozart is playing in my room, I am in conjunction with something I can't explain... I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart.
Well, to have some teams come at you like Montreal did, it’s definitely flattering, and I think it was good for me to also set a precedent for players like me and how important we can be to teams. That was something I was happy to do as well, you know? Sometimes players like me are maybe overlooked or not looked at as an important piece to the puzzle, but it was something I wanted to prove and wanted to show.
With a piece of classical music by Haydn, Mozart, or Beethoven, on first listening I'm referencing it with other pieces by them that I know. I think that most people do this - they listen to pieces through the filter of pieces they already know.
The most perfect melodic shapes are found in Mozart; he has the lightness of touch which is the true objective ... Listen to the remarkable expansion of a Mozart melody, to Cherubino's 'Voi che sapete', for instance. You think it is coming to an end, but it goes farther, even farther.
I don't think any of us know how we would react until we were put in a situation where we have to do something bad or do something good. I think I'd like to believe I'd act like a decent human being, but I'm realistic to know I don't know.
When I started, my teachers told me that I had to sing Mozart, Mozart, Mozart. I said, No, I want to sing all the other stuff. If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
When I started, my teachers told me that I had to sing 'Mozart, Mozart, Mozart.' I said, 'No, I want to sing all the other stuff.' If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
Playing characters who are wonderful and beautiful is hard because you don't feel like that most of the time... well, I don't. It's like this whole heart-throb nonsense. It's flattering, but that's not how I feel in the morning. It's something that goes with the job.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
Piece by piece, I fed my wardrobe to the night wind, and flutteringly, like a loved one’s ashes, the gray scraps were ferried off, to settle here, there, exactly where I would never know, in the dark heart of New York.
We may be sure that a genius like Mozart, were he born today, would write concertos like Chopin and not like Mozart.
I appreciate art in any form. So it applies to clothes as well. On stage, I think people prefer me in Indian outfits... in fact, it goes with the kind of songs I sing as well. Indianness in the form of a sari, or a chaniya choli or jeans with something interesting, matches my style of singing.
There are chefs who are spectacular technicians, and often their food is worth eating once or twice, but if there's no heart in it, if there's no personality in it, it's not something you want to go back for. But heart without any skill at all? All the heart in the world ain't gonna help you if you can't peel an onion, or if you don't understand how to apply heat properly. A well-done steak is a well-done steak.
My advice for an aspiring astronaut is to really follow your passion. I mean, study something that interests you, but also qualifies you to apply. NASA recruits from a wide variety of backgrounds. I know people who have applied to be an astronaut who ask me, well should I do this or should I do that. And I said, you know, it doesn't matter. The basic requirements are you have to be in good health, and you have to have a good heart, I mean in a technical way, not to be a kind person, well that helps. Study something that you like and do well in it.
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