A Quote by Robert Morris

I never presumed that a technique of composition or an idea was so special that just using it would guarantee the quality of the music. — © Robert Morris
I never presumed that a technique of composition or an idea was so special that just using it would guarantee the quality of the music.
I want less and less control with music. Just playing music without any idea of composition or writing.
As a fine artist I was drawn to composition and technique. I would count the cuts.
I have this romanticized idea of dance music in the '90s because, obviously, I was way too young to be a part of it. So I have this rose-tinted idea of it. I have this idea of it being a very special time. But I still don't know that much - I can never remember any names of seminal artists.
Presumed consent preserves freedom of choice, but it is different from explicit consent because it shifts the default rule. Under this policy, all citizens would be presumed to be consenting donors, but they would have the opportunity to register their unwillingness to donate.
Our moments are music, and sometimes – just sometimes – we can catch them and put them into some lasting form. If we didn’t have music, I don’t think we could ever be truly happy, and if we didn’t have special moments, we would never find music.
I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
Affirmations are quality ideas and quality thoughts. The quality of our thoughts reflects the quality of our life. Hence, if we were to raise the quality of our thoughts, we would automatically improve the quality of our life Affirmation literally means to validate or confirm. So when we think a thought over and over again, we are validating or confirming it as the truth Using affirmations on a daily basis is one of the easiest things we can do to change our lives.
Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?
I was using them as teachers for technique but I was never trying to be a folk.
The quality of instruction is very high at the Silverlake Conservatory of Music. It's not about being a rock star. It's about the fundamentals of music, theory and technique on a particular instrument, and playing in an ensemble or private setting.
It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don't happen. They must be constructed....To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the composition...Only by 'unfixing' the elements traditionally used to construct a piece of music could the sounds exist in themselves--not as symbols, or memories which were memories of other music to begin with.
I've never really presumed to know what my fans want or like. When I'm making the music, I just chase whatever I find interesting that day and luckily there are people who find it interesting as well.
It takes great technique, tremendous discipline and energy and practice, and damn few are capable. Art is confidence. Technique makes it possible to achieve artistic greatness, but doesn't guarantee it. The great piano artists are not the ones who are best playing Clementi exercises.
Music is not free to make. Studios are going under because people now work at laptops. Quantity over quality is what begins to happen; the idea of what quality is has changed.
If you have a truly big idea, the wrong technique won't kill it. And if you don't have a big idea, the right technique won't help you
When we look at a painting, listen to a piece of music, read a novel, or watch a movie we are taking in the artist's composition. The composition is the totality of the work.
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