A Quote by Robert Richardson

I find that on most films it's very difficult to have a backlit movie in an exterior. — © Robert Richardson
I find that on most films it's very difficult to have a backlit movie in an exterior.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
There are times through the process that you just think, "Is this all worth it?" It's very, very difficult to get a movie made, and it's very difficult to get a movie made that turns out well, and that fans love, and that the marketing gets right.
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
Probably the most difficult things were my favorite parts. The make-up and the big fight sequence at the end of the movie were very difficult but really fun and challenging.
Grab love of life every day. Because we're all gonna die. It's difficult to live that way. Most people are afraid to. Or can't. I find it very difficult.
Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult.
It is in our own mind and not in exterior objects that we perceive most things; fools know scarcely anything because they are empty, and their heart is narrow; but great souls find in themselves a number of exterior things; they have no need to read or travel or to listen or to work to discover the highest truths; they have only to delve into themselves and search, if we may say so, their own thoughts.
I find it difficult to direct myself in my films and so I avoid taking on any major roles in my films as I feel my judgement might be flawed.
I find it very difficult to relax. I find it increasingly difficult to find outlets for my frustration.
We were lucky to get Sam Jackson and Jeremy Irons and John McTiernan back. Long movie and hard movie to make and difficult for me because instead of working, my biggest concern was not repeating things I had done it in the previous films. And it rang notes in my head of episodic TV. A sequel is not a new movie; it's a chapter in a movie that you have already seen. Thank god Sam was there and thank god Jeremy was there. Again, it went outside the template of that series of films but it did well and made a ton of dough and the third chapter of a lot of sequels is always the one that falls down.
I find it difficult to write with reference to the most memorable moments in film, when for me the best moments in films are truly irreducible.
I find most American films annoy me because their third act tends to be tying up loose ends and returning to moral values and killing the monster. I think most of the scripts I read to tend to go in that direction and I find that very, very unsatisfying. I want the stories to have loose ends and to pose some questions - or even say things that aren't too comfortable.
I find that most of my scripts have a lot more scenes than most films, so the average movie might have 100 scenes, my average script has 300 scenes.
Very few people make exterior movies anymore. It's always action films driven by action and quick editing.
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