A Quote by Robert Snodgrass
When I had other things to deal with in my personal life, people were telling me to come and play for Scotland. So I'd come but then not play. I'd prefer people just to be honest with me and say whether they really want me there or just as a back-up.
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It was really hard to find people to come over and play guitar and sing and write songs together. So that turned me into a songwriter that way, just so I could be able to play with other people.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.
I don't go out of my way to get noticed. When I'm in Scotland it's tough, because loads of people come up to me. They're always really polite. It's nice, it's fun and good to speak to people who aren't involved in tennis, but some have this habit of just staring at me and that makes me really self-conscious. I'd rather they came up and said hello.
I've always had people come up to me to say that they admire the way I play, and then they tell me they're not United fans. That's always been nice.
The thought of someone spending $20 to come and see me and saying, 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
We lived in Colorado, and my parents were outdoorsy mountain people. My father would always say, 'Go out and don't come back until you have something to show me.' Which meant he wanted me to come back with a scraped knee or an injury. When I went out to play, I felt like I'd better get hurt.
Me being so open just helps other people. People feel like they know me so much that they can talk to me all of the time about really personal things. Sometimes it's really nice and comforting. It depends on the person, whether they're creepy or not.
I mean, the thought of someone spending $20 to come and see me and saying 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
I find little things that drive me sometimes, but again, I'm already a driven person, and just because I strive for perfection on a personal level and don't really care what other people say or do. I just want to be the best I can be, so that drives me enough.
I always tell people, 'Stop coming to me and telling what people are saying about me.' I don't care anymore. I always get the people that come to me and say, 'Girl, I just want to tell you... ' and I'm like, 'Nope.'
People say, 'You have inspired me, you've given me courage...' They've gone so far as to say, 'You've changed my life!' And I would come back and say to my husband, 'I can't understand it - what kind of poor little life did she have if I had to come and change it?'
I don't have to support Bibi, his government or any other conservative organization in order to come and play music in Israel, for people who want to come and listen to music. I think it's b******t to ask me to boycott Israel and not America. It's interesting that some people choose to pick on Israel and isolate her... I was invited to perform and that's why I'll perform, as long as the border is open and I'm welcomed. I'm just coming to play.
A wave of blood goes up to my head, my stomach shrinks together, as if something dangerous has just missed hitting me. It's as if I've been caught stealing, or telling a lie; or as if I've heard other people talking about me, saying bad things about me, behind my back. There's the same flush of shame, of guilt and terror, and of cold disgust with myself. But I don't know where these feelings have come from, what I've done.
As a kid, I used to come to our offices and play under the desks of people I now work with, or who work for me. I would come in and play with fabrics and make little clothes for my Snoopy. People here feel like family. But if I couldn't make a difference, I wouldn't be here. My father wouldn't want me to be here.
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