A Quote by Robert Trujillo
I've been friends with Jaco Pastorius's son since 1996 - Johnny Pastorius, the eldest son. And I remember when I first met him, I said, 'Some day, you've gotta make a film about your father,' because his influence is so broad.
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I just wanted to experiment with the bass, and my main influence from Jaco Pastorius inspired me to write music in a certain way.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him. And the son said to him, 'Father, I have sinned against heaven and before you. I am no longer worthy to be called your son. But the father said to his servants, 'Bring quickly the best robe, and put it on him, and put a ring on his hand, and shoes on his feet. And bring the fattened calf and kill it, and cet us eat and celebrate. For this my son was dead, and is alive again; he was lost, and is found.' And they began to celebrate.
I started taking the bass more seriously when I heard Jaco Pastorius.
I didn't arrive on the scene until after Jaco Pastorius had passed, but 'Three Views of a Secret' is a long-time favourite of mine.
She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.
You cannot show real respect to your parents by perpetuating their errors.... Do you consider that the inventor of a steel plow cast a slur upon his father who scratched the ground with a wooden one? I do not consider that an invention by the son is a slander upon the father; I regard each invention simply as an improvement; and every father should be exceedingly proud of an ingenious son. If Mr. Talmage has a son, it will be impossible for him to honor his father except by differing with him.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
Jaco Pastorius gave the bass a new voice. I mean, he was very inspired by singers like Frank Sinatra. And in a lot of ways, maybe he wanted to be a singer himself.
[A]s a commencement the Lord appeared unto Joseph Smith, both the Father and the Son, the Father pointing to the Son said, "this is my beloved Son in whom I am well pleased, hear ye him" Here then, was a communication from the heavens made known unto man on the earth, and he at that time came into possession of a fact that no man knew in the world but he, and that is that God lived, for he had seen him, and that his Son Jesus Christ lived, for he also had seen him.
.’..all this talk about your son’s loyalty and fidelity has made me feel a sudden urge to go riding.’ His father scowled. ‘You shouldn't ride in your condition. You could fall from a horse and lose or injure the babe you carry.’ Holding Styxx’s hand in hers, she paused to smile graciously at him. ‘I never said anything about horse, Majesty. It’s your son I intend to mount and ride. Good day.
On the king's gate the moss grew gray; The king came not. They call'd him dead; And made his eldest son, one day, Slave in his father's stead.
It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!
I wonder if they realize how much I notice about them They probably haven't a clue because I never look at them or show the slightest interest. But I'm very aware of everything. I remember seeing an old film once where a father says to his son: "Son when your mouth's open you're not learning anything." If that's true then I'm well on the way to becoming the world's wisest woman.
... if we say that the Father is the origin of the Son and greater than the Son, we do not suggest any precedence in time or superiority in nature of the Father over the Son (cf. Jn. 14:28)? or superiority in any other respect save causation. And we mean by this, that the Son is begotten of the Father and not the Father of the Son, and that the Father naturally is the cause of the Son.
Sir Walter, being strangely surprised and put out of his countenance at so great a table, gives his son a damned blow over the face. His son, as rude as he was, would not strike his father, but strikes over the face the gentleman that sat next to him and said, "Box about: twill come to my father anon."
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