A Quote by Robert Wilson

I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community. — © Robert Wilson
I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.
I grew up in a small, rural community, where my extended family were mountain-folk type people, and some were very religious.
I came to Berlin not to visit its museums and galleries, its operas, its theaters... but for the sake of seeing and speaking with the world's greatest living man - Alexander von Humboldt.
A lot of my work involves criss-crossing London to visit the many hundreds of projects, theaters, galleries, museums and groups that comprise the capital's astonishingly rich cultural life.
I grew up in a suburban situation and I was constantly looking for the central, the town. I grew up craving. "Where's the town? Where's the people?" You get into a very isolated shell.
Everybody was a democrat where we grew up. It was a blue-collar town and the democrats represented the working class and the unions. But very, very super-conservative Catholic, very proud immigrant community, very stoic.
I grew up near New York, and there were a lot of summer stock theaters in the area. I started an apprenticing with some of the theaters. Not really acting in them - I did everything else: everything but act.
The town I grew up in, there were no musicians to play with; it was just me. The town I grew up in, there was two shops: like, a paper shop that sells confectionery, sweets and stuff, and, like, a farm supplies and a petrol station. That was literally it.
There were no museums or galleries in Shanghai, but I was very keen on art - I was always sketching and copying, and sometimes I think that my whole career as a writer has been the substitute work of an unfulfilled painter.
Entering into the spirit of this interior, you will discover the best possible atmosphere in which to show fine paintings or listen to music. It is this atmosphere that seems to me most lacking in our art galleries, museums, music halls and theaters.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
There are so many great galleries and museums in London, but they can be very crowded during the day.
I grew up as a little gay boy in Paris, Texas, which was a very conservative community and I had a strong religious background as well.
Growing up I played piano and I sang at a lot of weddings; I grew up in a very small town, a little coal-mining town in Virginia called Grundy. And my family was very sing-songy at home.
I grew up in a small town in the Mojave Desert where conservative Republicans were as common as cacti. Inexplicably, I grew up liberal and a feminist.
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
I grew up in a small town, in a small community, and I would not have had access to great plays when I was a kid were it not for the films of 'Who's Afraid of Virginia Woolf?' and 'Cat on a Hot Tin Roof.'
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