A Quote by Robert Zemeckis
USC Film School always had a real sense of drama and lineage.
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We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
I went to USC film school, briefly, which is a very traditional film school.
At USC, when I studied film scoring my first year, one of my first friends that I met was Ryan Coogler. He was in the directing program at USC. He became one of my best friends at school.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
My dream school was USC. So I was like, alright, I'm going to apply to USC, and If I don't get in - I'm dropping out of school, and I'm pursuing music. So I applied, and I got in. I was like alright, I'm at the number one communications school in the country, and that was my major.
I never did theater. I was a theater major at USC my first year because I didn't get into the film school. I was biding my time, hoping to be accepted to film school, and I ended up transferring to UCLA my sophomore year.
I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.
After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I was interested in drama, but it never seemed like a real profession somehow. It was so outside my experience, and I probably wouldn't have had the confidence for drama school, though I did send off for an application form.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
There's timing in drama. You have to have a sense of rhythm. But the real thing that lends yourself to drama as opposed to comedy is a sense from the audience of whether there's more to it than you can see.
I got a lot of my film education from sneaking into media labs at USC. I probably owe USC a lot of money.
I took courses at USC in film editing and art direction and photography when I was still in high school.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.
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