A Quote by Roberto Mancini

We certainly have to improve on our performances especially up front. It's not that the strikers are not in form, as all four of them are; they just have to be more accurate. — © Roberto Mancini
We certainly have to improve on our performances especially up front. It's not that the strikers are not in form, as all four of them are; they just have to be more accurate.
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
I think a lot of managers say that it starts from the front and us as defenders know it helps our job when the front two strikers put that pressure on. If they can do that it makes our job a lot easier.
The United States will continue its efforts to improve our understanding of climate change - to seek hard data, accurate models, and new ways to improve the science - and determine how best to meet these tremendous challenges.
This play John Drinkwater's Abraham Lincoln holds the season's record, thus far, with a run of four evening performances and one matinee. By an odd coincidence, it ran just five performances too many.
Karl Marx left it to others to find the way beyond capitalism to a higher form of society. He saw his role as giving them as accurate a theory as he could of how capitalism works, which would also show them the reasons why it needs to be abolished and replaced by a freer and more human form of society.
They're very sociable occasions and there's no barriers between us and the audience. It's customary that after our performances, we go out into the foyer and spend an hour or so signing autographs for the fans and having our pictures taken with them.We strongly believe that going out front to meet the fans is just as important as playing the gigs - and we all love a good natter!
The batting coach does his job. He tells them the basic faults and helps them improve their technique. But if the batsman is in form then he has to carry that form.
WWE was an opportunity to wrestle in front of thousands - in 2013, I did 227 matches, and almost all of them were in front of more than three or four thousand people, with a high of 70,000 plus. It was an incredible experience to be part of that.
We can certainly be on the same side and the same front with the workers and with the oppressed people of Iran. We can certainly be on the same front with them.
The problem with our art form: it's so ephemeral, and catching performances can be so difficult... the important thing is what happens at the moment of performance, for the people who made the effort to be there: it lives with them.
When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
Our wisdom is all mixed up with what we call our neurosis. Our brilliance, our juiciness, our spiciness, is all mixed up with our craziness and our confusion, and therefore it doesn’t do any good to try to get rid of our so-called negative aspects, because in that process we also get rid of our basic wonderfulness. We can lead our life so as to become more awake to who we are and what we’re doing rather than trying to improve or change or get rid of who we are or what we’re doing. The key is to wake up, to become more alert, more inquisitive and curious about ourselves.
There's always a level where you think you can improve and do better. Certainly at the beginning... I did four years of straight theater without ever having a part in a movie, and I remember being far more nervous on a film set than I was on the stage. It took a while for that to become less so.
You might be a redneck if there are four or more cars up on blocks in the front yard.
Sometimes the most worthwhile things are right in front of our eyes. We just make them hard because we think that gives them more value.
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