A Quote by Robyn Lawley
The last thing I would want for my future daughter would be to starve herself because she thought a thigh gap was necessary to be deemed attractive.
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The truth is I couldn’t care less about needing a supposed 'thigh gap.' It’s just another tool of manipulation that other people are trying to use to keep me from loving my body. Why would I want to starve and weaken my natural body size? I’m not saying women who have it naturally are unattractive. But I would have to change my entire frame just to achieve something that seems so trivial.
If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.
There was a warmth of fury in his last phrases. He meant she loved him more than he her. Perhaps he could not love her. Perhaps she had not in herself that which he wanted. It was the deepest motive of her soul, this self-mistrust. It was so deep she dared neither realise nor acknowledge. Perhaps she was deficient. Like an infinitely subtle shame, it kept her always back. If it were so, she would do without him. She would never let herself want him. She would merely see.
So firm did Nivea's determination become that she wrote in her diary that she would give up marriage in order to devote herself completely to the struggle for women's suffrage. She was not aware that such a sacrifice would not be necessary, and that she would marry a man for love who would back her up in her political goals.
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
I would ask to tweak stuff during the action, because I thought Elektra would more likely express herself with a slap, for example. I wanted to keep the characteristics of my character even during the fights and express the violence as she would do it, not like somebody else would.
The most important thing for me when I wrote [Origins] was that at the end even if Morrigan loved the player, she had this thing that she believed in, that was so important that she would do it regardless of the player. And I think that a lot of players expected that she would bend herself to do whatever they wanted because they've done the romance, gotten her approval up, and of course she would just sort of follow their destiny. But Morrigan has her own destiny.
I've got a twin sister who's an artist and growing up I was always "the loud one." She's not actually quiet at all, but I would rather fill a gap with chatter and she would just let a gap be. So there was no inclination to actually perform.
I think the best thing I could ever teach my daughter is that she's not an object or a trophy, and that she can trust in herself and believe in herself and that you are not your things, and you are not your job.
My wife herself had an upbringing where she wasn't allowed to pursue what she wanted to do because of her parents. She wanted to go into photography and journalism, but because classes ran so late, she had to be home at a certain time. We don't want that for our daughter.
If I would make a song dedicated to any woman, it would have to be my mom because, you know, she's been there since I came out of her. She would have to be the one... my mom or my daughter.
[On whether she would want daughter Tricia to marry a politician:] I would feel sorry for her if she did.
It seemed to Alabama that, reaching her goal, she would drive the devils that had driven her - that, in proving herself, she would achieve that peace which she imagined went only in surety of one’s self - that she would be able, through the medium of the dance, to command her emotions, to summon love or pity or happiness at will, having provided a channel through which they might flow. She drove herself mercilessly, and the summer dragged on.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters ... but then her courage left her, and she ran back to her bed, sobbing.
First of all, I would tell any young woman who's interested in politics to get in touch with herself first and really, really determine if this is what she wants to do - and not do it just because it may be the thing at the moment. What do you care about? What is it that moves you? What would you like to change? What would you do if you were in this situation?
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