A Quote by Rod Blackhurst

If the participants regret participating, then you won't have something that reveals some greater truth about human condition or allow some other perspective. You need people to want to be there so they can talk at length and want to continue talking to you.
People crave trustworthy information about the world we live in. Some people want it because it is essential to the way they make a living. Some want it because they regard being well-informed as a condition of good citizenship. Some want it because they want something to exchange over dinner tables and water coolers.
If you take a lie and allow your desire for the truth, you'll end up with some truth - not fact, but something that gets you closer to the truth. That's what we want. When we go to a play, we need to be assured that the experience we're having.
Everybody knows about Las Vegas. It's a state of mind. Some people want to come with their kids and have a great weekend. Some people want to shop. Some people want to find hookers. Some people want to eat. Some people just want to gamble. It's a potpourri of decadence.
I'm not a politically-charged person. I don't want to be. I don't want to talk about politics and I don't want to sing about politics, but if you're talking about environmental issues then you can't talk about one without the other.
The real controversy comes with anthropologists - not all, but some - who see themselves as studying culture, and they then see culture from the perspective of humans, which is what they study. From their perspective, or, from some of their perspectives, it's sort of heresy to even talk about culture in any other animal. Others would say, "Yeah, you can talk about it, but our definitions of culture are so utterly different from yours and include things like values, and so on, which you've never shown to exist in any of these other creatures."
Some people tell you, 'I'm your good luck charm - I've been to eight races in my life and you've won six of them' or something like that. So it's kind of like, 'Well, you need to come to more then!' Other times, fans just want to talk about previous times they've met you.
I want to do something challenging and I want to take risks, but above all, I want people to be entertained...Because the only way of talking about some issues sometimes is through humor.
I want people to see the beauty of that condition through the eyes of the characters. In doing that, they can allow people who have the condition to be more accepting of it, and to be open about it. That would be a contribution to the people who have it, and considering that 38% of the Pulitzer Prize winning poets are Bipolar, to think about how much these individuals have contributed to the human spirit.
One thing I'm most passionate about is that I'm geared up and ready for another cycle of touring, to go out in the world and be whoever I need to be for someone. For a lot of people they just want to see you or want to take a photograph of that moment. Some people they simply just want to hear you. And others actually have things they want to share and talk with you about.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
I think we need to understand what we mean when we talk about closure, we don't mean transfer or prosecute which is what many of the critics of Guantanamo would like to see happen. When the US government talks about closing Guantanamo, they talk about moving some set of detainees to some other place where they continue to be detained without charge.
I get an idea about something. I just start thinking about it, and then I get onstage and I talk about it, and then I think about it some more and talk about it some more, and think about it some more and talk about it some more, until it starts to take a shape.
I think we, especially in American culture, are so afraid to talk about death. And I'm not talking about literal death. I'm talking about shedding skin. I'm talking about rebirth, ultimately, and how we continue to change as human beings and continue to grow. There's that great Henry Miller quote, "All growth is a leap in the dark."
I don't want to be some actor talking about how he wants to be a musician. It's something I'm really passionate about and I don't want to be spouting off at the mouth about something before it's out there and can speak for itself.
I want the audience to think about how many people are hiding in the shadows with the condition. I want the film to take away the stigma of thinking of this as a disease and an illness to be crushed. I want those in the condition to shine and contribute to the human spirit.
People want the truth but they only want the truth so they can talk bad about you on the blog or on television. They want you to tell them the truth and it screws everybody.
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