A Quote by Rod Blackhurst

The power of narrative sort of defines something forever and ever. — © Rod Blackhurst
The power of narrative sort of defines something forever and ever.
One can promise actions, but not feelings, for the latter are involuntary. He who promises to love forever or hate forever or be forever faithful to someone is promising something that is not in his power.
Without sounding too pretentious, I was sort of a slave to the narrative. When the narrative cracks in, I have to go where it takes me. I had to go to the Bohemian Grove. It was the obvious end to the book.
Why aren't we investing more in alternate tech? The Saudi Arabians are, Scottish Power is. I was just there. Could it be that we're counting on the oil going on forever and ever and ever and us having all of it and getting very rich?
Nature is forever arriving and forever departing, forever approaching, forever vanishing; but in her vanishings there seems to be ever the waving of a hand, in all her partings a promise of meetings farther along the road.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
I really had to come to the conclusion, the sort of humbling conclusion that, guess what, I'm no different than anybody else: I've got to sort of ask for help - not something I ever did, ever. And then part two of that is, like, accept it when it comes, and, you know, believe what people tell me.
If you wonder how long Ill be faithful. I'll be happy to tell you again. I'm gonna love you forever & ever, forever & ever amen.
Not forever does the bulbul sing In balmy shades of bowers, Not forever lasts the spring Nor ever blossom the flowers. Not forever reigneth joy, Sets the sun on days of bliss, Friendships not forever last, They know not life, who know not this.
I think something very weird's going on now, 'cause the power that is permitted to youth is quite extraordinary. And they are sort of run by that kind of power.
Magic has been around forever, and it's also been in trouble forever. I'm not suggesting that there was ever a time when the practice of magic was celebrated by those in power. Actually, such practices were routinely demonized by monarchs and organized religions precisely because magic is inherently democratic.
Did you ever feel, as though you had something inside you that was only waiting for you to give it a chance to come out? Some sort of extra power that you aren't using - you know, like all the water that goes down the falls instead of through the turbines?
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
Have you ever felt despair? Absolute hopelessness? Have you ever stood in the darkness and known, deep in your heart, in your spirit, that it was never, ever going to get better? That something had been lost, forever, and that it wasn't coming back?
Being gay is not something that defines me. What defines me is what my mom always taught me: to treat everyone with respect, to always be a hard worker, and to be kind.
I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
And that sort of victimization narrative is something we shouldn't contribute to. On the other hand, we have to acknowledge that there is a radical element in Islam, jihadism, that needs to be called by name and needs to be confronted.
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