A Quote by Rod Lurie
The point of remaking 'Straw Dogs' is not to replicate the philosophies of Sam Peckinpah at all. What made that film singular was the attitude that he brought to the characters. Oddly enough, that's the one thing that I really wanted to change.
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The truth is that we're not remaking Sam Peckinpah's 'Straw Dogs,' we're making 'Straw Dogs.' We're taking this story, and we're putting our own spin on it. The mere fact that I have James Marsden in it is an indication that it's a very different film than the one that had Dustin Hoffman in it.
If I was ever gonna remake a Peckinpah film, it would be 'Bring Me The Head of Alfredo Garcia.' That's my favorite Peckinpah film.
Heaven and earth are ruthless, and treat the various creatures as straw dogs; the sage is ruthless, and treats others as straw dogs.
I was influenced by American movies of the '60s and '70s, especially Don Siegel's 'Dirty Harry' and the films of Sam Peckinpah. And, of course, a lot of the film noir movies of the '40s.
I love Sam Peckinpah.
I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.
[London] is sentimental and tolerant. The attitude to foreigners is like the attitude to dogs: Dogs are neither human nor British, but so long as you keep them under control, give them their exercise, feed them, pat them, you will find their wild emotions are amusing, and their characters interesting.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.
A king may be a tool, a thing of straw; but if he serves to frighten our enemies, and secure our property, it is well enough; a scarecrow is a thing of straw, but it protects the corn.
We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.
I believe Sam Peckinpah is one of the greatest filmmakers of all time, and I hold him in high regard.
My mother, oddly enough, really wanted to pursue a career in law, but at the time, she had children and was working as a teacher.
I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while.
Look at me! I can go from 'Donny and Marie' to Sam Peckinpah to Radio City Music Hall in one week.
I'm always trying to get my characters to the point of complete rebelliousness. I like that attitude that characters feel when they own their lives. There's something beautiful in the moments when characters disobey.
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