A Quote by Rod Lurie

Whenever you make a movie, when it's done, as a filmmaker, you never sit there and say, 'Boy, I really got that right.' It's, 'Where did I screw up?' — © Rod Lurie
Whenever you make a movie, when it's done, as a filmmaker, you never sit there and say, 'Boy, I really got that right.' It's, 'Where did I screw up?'
It's difficult to really assess what I've done right per say, but if I did have to point out, I'd say that I never really looked to have goals that will limit me. When one knows where he is going to or wants to end up, he/she actually doesn't realise that the goal is more limiting, than liberating.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
I just didn't lock into being in the right role in the right big movie and it going huge. I did never really make the leap to hyperspace. Who's to say that it can't still happen. I just enjoy working, and feel fortunate to be doing the things that I am doing.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
i will never say never i will fight i will fight till forever make it right whenever you knock me down i will not stay on the ground pick it up and never say never
I started to do theater when I was a little boy at school, and then, I think because my father was a documentary filmmaker and worked for German television, I was of course fascinated by what he did. Then when I was around 15, I did my first movie.
I did a movie a few years back, 'Medicine for Melancholy.' People will come up to me after a set and say, 'I really love that movie. When are you going to do another one?' Or 'I loved you on 'The Daily Show.' Why did you leave?' It's kind of the same as saying, 'I loved you in high school. You should have never left.'
We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well.
'I don't need very much now,' said the boy, 'just a quiet place to sit and rest. I am very tired.' 'Well,' said the tree, straightening herself up as much as she could, "well, an old stump is good for sitting and resting. Come, Boy, sit down. Sit down and rest.'And the boy did. And the tree was happy.
It's a pretty scary time. So many emotions come up and you don't really have the wisdom to make the right choices. You can really screw yourself in adolescence.
I think if we did 'Stargate' right, the fans would like it, and we could do something really good. But if we screw it up, they'll reject it. As they should.
[The movie Beaches] was really about how women fight. Women fight, say terrible things to each other and an hour later they make up and go shopping. I think they got the better idea of how it should be done.
My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
As a filmmaker, you just make the movie you want to make, and you sort of put your faith in the distributor to make sure the right people see it.
The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that.
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