A Quote by Rod Lurie

I admire how Tarantino finds music that's semifamiliar and not famous: undiscovered gems. — © Rod Lurie
I admire how Tarantino finds music that's semifamiliar and not famous: undiscovered gems.
I adore wearing gems, but not because they are mine. You can't possess radiance, you can only admire it.
Music was a big thing for me growing up and Scorsese and Tarantino both use music brilliantly in movies. They're probably two of the best at using music.
The thing that interested me, there are so many filmmakers I admire - like David Lynch and Quentin Tarantino - they have these themes where there's not much going on, but they were suspenseful.
Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
A Godly leader ... finds strength by realizing his weakness finds authority by being under authority finds direction by laying down his plans finds vision by seeing the needs of others finds credibility by being an example finds loyalty by expressing compassion finds honor by being faithful finds greatness by being a servant
There are three gems upon this earth; food, water, and pleasing words - fools (mudhas) consider pieces of rocks as gems.
I like Quentin Tarantino, especially the early films, but I'm a big fan of Billy Wilder and Preston Sturges... you know, people were writing great dialogue back then. It's as if people only have the memory of the last 15 years. So, before Tarantino no one was writing witty dialogue? That's ridiculous. Why do we have to keep referring to Tarantino?
One of the interesting things about Twitter is looking how famous people choose to use it. Take someone like Steve Martin, who I follow: it's all sorts of comic gems, nothing private, nothing personal - all jokes. Other celebrities are overtly personal - like Charlie Sheen. I do a mix of observations and updates.
Basically, you can't make a pop culture reference now without someone saying it's Tarantino-esque or post-Tarantino and I'm like where's that all come from? It's ridiculous. But it's not his fault.
I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
Music is very personal. It is not objective. We're not talking about how tight they were. How famous they are. How rich they are. For me it's like food. You taste it, and you either love it, or you think it's boring, or it tastes bad, which is three reactions I have with music, just like food, it's very personal.
I admire plenty of people, I admire Daniel Bryan, I admire CM Punk, I admire Antonio Cesaro, Wade Barrett, Sheamus; all the fellows that have been out and earned their spot on this roster.
A fool always finds one still more foolish to admire him.
It doesn't matter who we are, how rich we are, how poor we are, famous or not famous, we all have a short window of time here on the planet and what are we going to do with it?
How vain painting is-we admire the realistic depiction of objects which in their original state we don't admire at all.
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