A Quote by Rod Lurie
I met Joan Allen at an L.A. Film Critics Awards' dinner, and I said, 'I want to write a movie for you.'
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, "I want to do a horror movie." And she goes, "What's it going to be about?" And I said, "A lot of blood and high heels."
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
Joan Crawford is a movie queen. I had never met one before. I know now what I don't want to be.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
If film critics could destroy a movie, Michael Bay and Adam Sandler would be working at Starbucks. If film critics could make a movie a hit, the Dardenne brothers would be courted by every studio in town.
When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
Joan Rivers, who said to Marcel Marceau, Can we talk? Never got a dinner!
So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
I read the books the day before I had met with the director Catherine Hardwicke. The first I heard of it was my agent called and said, 'Do you want to be in a vampire movie?' and I said 'No.' I thought it was like a zombie, blood-and-guts, vampire movie.
Those critics awards come and go every year, but the finished movie is your work.
Years ago, Barry Diller asked me to be a judge on a pilot for an inventor show on USA, and when it was over, the producer, Ken Mok, took me out to dinner and really got me talking. It was a long dinner. Afterward, he said, 'One day, I'm going to write your movie'.
I love Donnie Darko movie so much. Just before I got that script, I had been to see some European art film. I walked out of that movie and said to my husband, "That's what I want to do! I want to do an art film and take it to the edge." Within two weeks, we were getting ready to go on vacation, and my agent called.
Well, I met Sandy Bullock at an awards thing a couple years ago, and she said to me, “If I were gay, you’d be the one.” I said, “I’m there!”
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
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