A Quote by Rod Lurie
Rehearsing is more about blocking in the case of movies, I think, and blocking, of course, is very important to the beauty of a scene.
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I always go into a blocking rehearsal with an anchor, with a blocking plan. And sometimes they'll step into the room and they'll be in costume and you're like, "That sucks, that's not going to work. Let's think of something new."
Sandy was particularly destructive because it was prevented from moving back out to sea by a "blocking pattern" associated with the jet stream. There's debate about this, but one recent study suggested that melting sea ice in the Arctic may lead to such blocking.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
Whatever's asked of me, I'm just going to go out there and perform my routes and how I've been coached all week, perform in the running game, pass blocking, run blocking, whatever it is.
Your run blocking looks pretty similar to what the pass blocking looks like when you're going with the play-action pass. So you really do have an opportunity to get really good at it quickly.
But when there were certain moments or scenes that required a very specific nuance or performance, I myself would act out the scene or the sequence and that would inspire the actors. Of course, I can't really express emotions on camera, but I was very active in showing a certain action or a blocking for an actor. I would also participate in certain stunts myself and because of that, I would get bruises or cuts on my knees and elbows.
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
I was at this casino minding my own business, and this guy came up to me and said, 'You're gonna have to move, you're blocking a fire exit.' As though if there was a fire, I wasn't gonna run. If you're flammible and have legs, you are never blocking a fire exit.
I think at some point during the course of the game, I will have an impact - whether it's blocking or whether it's catching the football.
It's important for young men and women who look at the Nebraska champs to understand that quality of life is more than just blocking shots.
money ... is only important when you have none; and though it may not be everything, it goes a very long way towards blocking up the winter draft of age.
I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it.
I think it's the idea that beauty could be power, and that with power comes immortality, and with power comes control, and all of these other things are blocking her heart.
When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
I think all the actors I've worked with knew that I was an actor. Like, I get into the dirt with my actors and we figure out the rhythm of the scene and how it needs to sound and what the blocking is, the way you would with another actor.
I can't separate the process of writing from the visual process. I'm speaking only for myself here, but I'm a highly visual writer. In my imagination, when I'm thinking of a scene, I think of every last detail of it: The space, the color palette, the blocking of the actors, the placement of the camera.
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