A Quote by Rod Lurie
There seems to be an interest in connecting the history of the past to the present and asking whether things have really changed. Films like 'The Contender' and 'Bulworth' seem quaint compared with Trump!
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I am interested in the past. Perhaps one of the reasons is we cannot make, cannot change the past. I mean you can hardly unmake the present. But the past after all is merely to say a memory, a dream. You know my own past seems continually changed when I am remembering it, or reading things that are interesting to me.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
History in Burckhardt's words is 'the record of what one age finds worthy of note in another.' The past is intelligible to us only in light of the present; and we can fully understand the present only in light of the past. To enable man to understand the society of the past and to increase his mastery over the society of the present is the dual function of history.
After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.
There are all kinds of ways that people present their films, but that's kind of a good feeling, if you can make it seem like the characters are really there.
I look back and think of all the times I've had to let things go in the past, and how traumatic it seemed while it was happening, but how my understanding of it changed as time passed - and oftentimes things that seem really difficult and traumatic in the short term seem a lot less difficult and traumatic in the long term. So I remind myself of that.
I think that compared to other politicians who have been put in jail in the past, compared to the human-rights activists in history who have had to face political prosecution, the activists in Hong Kong nowadays are already quite lucky compared to that.
It is not history, theology or mythology that interest me. It is the fact that history, theology or mythology could have alternative interpretations or explanations. I try to connect the dots between the past and the present.
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.
[Donald] Trump met with Mexican president Enrique Pena Nieto, who has in the past compared Trump`s rhetoric to that of Adolf Hitler and Benito Mussolini.
All normal human beings are interested in their past. Only when the interest becomes an obsession, overshadowing present and future conduct, is it a danger. In much the same way healthy nations are interested in their history, but a morbid preoccupation with past glories is a sign that something is wrong with the constitution of the State.
I feel history is more of a story than a lesson. I know this idea of presentism: this idea of constantly evoking the past to justify the present moment. A lot of people will tell you, "history is how we got here." And learning from the lessons of history. But that's imperfect. If you learn from history you can do things for all the wrong reasons.
The accounts that history presents have to be paid. Past has to be reconciled with present in the life of a nation. History is an insistent force: the past is what put us where we are. the past cannot be put behind until it is settled with.
I'm a refugee from the past, and like other refugees I go over the customs and habits of being I've left or been forced to leave behind me, and it all seems just as quaint, from here, and I am just as obsessive about it.
Past and to come, seems best; things present, worse.
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