A Quote by Roger Deakins
When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story.
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It's good to go out and entertain these people, and you've got them on the edge of their seat, they're standing up. Then you know that you've done your job, you've entertained them. My way of entertaining them is going out and wrestling. Everyone's got their different ways.
When you're a co-host, you've got to consider what the other person is saying and take the next step and get the laugh or get to the end of the story. You've got to make it happen and then move on to the next story.
Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.
Why should I be depressed? I've got enough money. I've got a job. People like me. There is no to be depressed. That's at stupid as saying there is no reason to have asthma or there is no reason to have the measles. You know you've got it. It's there. It's not about reason.
I got out of autobiography because my story is, I was famous, it was hard for me, I got into therapy. I had trouble with food, I got a nutritionist. There's no story there.
Every time I sit down and write I got to put something conscious in there. It's like I got a job now. They say that for those that know you got to deal in equality. If you know and you don't speak on it and don't apply it, it's like you're the worst hypocrite. I feel I got a job to do, being that I study so much and I believe in Allah like I do, I feel like I got to spread the word.
You'll always see me doing things that I have no business doing. Whether it's directing a major motion picture or meeting with the most important people in government and dealing with the biggest subjects on Earth. The story of the millennia. These are things I aspire to tackle. It doesn't mean I'm going to win on all of them, but God damn, it looks like I've got a pretty good shot at it.
you've got to burn straight up and down and then maybe sidewise for a while and have your guts scrambled by a bully and the demonic ladies, you've got to run along the edge of madness teetering, you've got to starve like a winter alleycat, you've go to live with the imbecility of at least a dozen cities, then maybe maybe maybe you might know where you are for a tiny blinking moment.
But when I say it isn't meant for anyone's eyes, I don't mean it in the sense of one of those novel manuscripts people keep in a drawer, insisting they don't care if anyone else ever reads it or not.The people I have known who do that, I am convinced, have no faith in themselves as writers and know, deep down, that the novel is flawed, that they don't know how to tell the story, or they don't understand what the story is, or they haven't really got a story to tell. The manuscript in the drawer is the story.
I collect jewelry for a story - so something I got on a trip or something I got from my family. You know it always needs to have a meaning for me.
There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
When I got shot I wasn't like 'yes' I got shot, now I can say that in my raps, when I got shot I said 'ouch'.
If you could learn how to make a perfect lemon tart then you got a story. If you don't feel like that, make a perfect chocolate chip cookie, but have five go-to dishes like that and you can move them around, change them up just a little bit, and always have something in the can.
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
When you hire that first person, then you're a boss. You've got performance reviews. You've got complaints about not making enough money. You've got people who are just going to sell your story to the tabloids.
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