A Quote by Roger Deakins

The little town I was brought up in, I'd go to the film society to these very extreme sorts of films that you wouldn't normally see in the movie houses. But I never dreamed that I would get into the position to be shooting movies equivalent to the ones I loved as a kid.
NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
Sometimes one of my ways of choosing movies that I want to do is if it's the kind of movie I would have gone to see when I was a kid, and this is a movie I actually did go see, as a kid. And I think it will be exciting for audiences to see now.
I loved growing up and going to haunted houses and being scared. I loved watching 'The Exorcist,' 'Candyman' and all sorts of scary movies.
I loved American filmmakers when I was growing up. I didn't get to film school or anything. I was a very bad student. I just devoured film, but there was a point in my teens when I started to run a little film society.
Ever since I was a little kid, I always dreamed of being a Big City kid, because I grew up in a very small town up north in Canada. I have to say I just love the city lights at night.
I always wanted to direct movies. That's what I set out to do. When I was a little kid I just dreamed of making movies, and I went to film school [at Northwestern University].
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.
A lot of stuff doesn't faze me. I think it's because I was brought up in a small town, and normally, when you're from a small town, when you see a famous person, you'd be like, 'Oh my god. This never happens,' but I've always kind of been like nonchalant.
People watch more documentaries too now. These movies that would normally be shown in these little art houses, and unless you walked by the theater, or happened to read that tiny zine that contained the info for it, or went to a film festival, you might miss it.
Everyone has the opportunity to do a horror film. There's something great about it as an actor. You have to go to places you'd normally never go and be put in situations you would never be put into. You don't get the opportunity in a lot of films to have this kind of acting. It's an interesting challenge.
I want to start off making the kinds of films that I loved growing up as a kid. Fun horror films that are scary but at the same time, after you finish the movie, it leaves you excited to see more.
Neverending Story' was one movie I did see when I was a kid. On the little island I grew up on, they put up a sheet in the town hall.
Growing up in the Philippines, I loved all kinds of movies. We had a very healthy film industry there when I was a child. It's now gotten very limited. They only make action movies and hard-core exploitation movies. Women get raped; men get shot.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
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