A Quote by Roger Deakins

I love everything that Cormac McCarthy has written. — © Roger Deakins
I love everything that Cormac McCarthy has written.
The Ploughmen is as good a book as I’ve read in years. Kim Zupan’s language is as rich as Cormac McCarthy’s, and like Cormac’s, it comes from ground-zero of the heart. I’m also reminded of James Lee Burke’s sure-footed prose and delight in metaphor. Luminous...nothing short of brilliant...a firstnovel that leaves me impatient for the next.
'Suttree' is a fat one, a book with rude, startling power and a flood of talk. Much of it takes place on the Tennessee River, and Cormac McCarthy, who has written 'The Orchard Keeper' and other novels, gives us a sense of river life that reads like a doomed 'Huckleberry Finn.'
I'm not Cormac McCarthy, but I can get my point across in a thousand words.
I'm a huge Cormac McCarthy fan and have read every book of his.
I love to read the kind of books I write. Genre-breaking. Fresh-concept. World-building. My all-time top three authors would have to be Cormac McCarthy, Thomas Harris, and Pat Conroy.
One more recent novelist to come along is Cormac McCarthy. Him, I like.
Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.
One thing I love about Cormac McCarthy is the types of pressure he puts onto people. You see the best and the worst in people, you really see what humanity is made of, and I think that resonates in some way.
I'm an enormous fan of American literature, and especially the great novels of Larry McMurtry, 'Lonesome Dove,' Cormac McCarthy, Elmore Leonard.
The one that I've always wanted - and I have Scott Rudin in my way blocking it - is 'Blood Meridian,' which Cormac McCarthy has offered to adapt into a screenplay.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
The books I love most are the ones that combine some sort of gripping story with really beautiful or stylish writing. Some of my favorites are 'The Road' by Cormac McCarthy, 'The Virgin Suicides' by Jeffrey Eugenides, 'The Interpreter of Maladies' by Jhumpa Lahiri, and 'Blindness' by Jose Saramago.
I don't read 'genre' fiction if that means novels with lots of killing and shooting. Even Cormac McCarthy's 'No Country for Old Men' seemed pretty childish in that regard.
In its rather clinical view of death, 'True Grit' rivals the hardboiled world of 'Red Harvest'-era Dashiell Hammett and prefigures Cormac McCarthy by 20 years.
The portrayal of Senator Joe McCarthy as a wild-eyed demagogue destroying innocent lives is sheer liberal hobgoblinism. Liberals weren't cowering in fear during the McCarthy era. They were systematically undermining the nation's ability to defend itself while waging a bellicose campaign of lies to blacken McCarthy's name. Everything you think you know about McCarthy is a hegemonic lie. Liberals denounced McCarthy because they were afraid of getting caught, so they fought back like animals to hide their own collaboration with a regime as evil as the Nazis.
I read Nabakov for style, Mary Karr for heart and resonance of where I come from. She's from the same part of the world that I'm from. Cormac McCarthy and Hemingway, to read the masters.
This site uses cookies to ensure you get the best experience. More info...
Got it!