A Quote by Roger Deakins
On 'Sicario,' we storyboarded key sequences but not everything.
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I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring.
I prefer to work the old-fashioned way. I trie to do everything or most of his action sequences practically, because I feel that while added effects or the VFX process allows for flashier sequences, I feel that it lacks the energy we see in practical effects.
Music, dance sequences, action stunts are key parts in a commercial film but there has to be relatable content as well.
Going as far back as 'Dexter's Lab,' we've always had these sequences with no dialogue. The interesting thing is those sequences got the biggest reactions.
Like a film, dance steps or sequences are creative works. If a script can have a copyright, and so can songs, why can't dance sequences as well?
I have always meticulously storyboarded my films from beginning to end.
The thing about animation is that it's a constantly changing process. They talk in terms of sequences - so there's like thirty different sequences in a movie and at anytime those were shifting or being taken out or being replaced.
Enlightenment is the key to everything, and it is the key to intimacy, because it is the goal of true authenticity.
Honesty and loyalty are key. If two people can be honest with each other about everything, that's probably the biggest key to success.
The key to why things change is the key to everything.
'Sicario' was a lot of improvisation.
Something that 'Game of Thrones' always does successfully is that action sequences are never just action sequences. There's always a point of view, and you're always identifying with one person or one group of people.
There are certain things in the scripts that need to be planned: you know, big stunt sequences, battle sequences... you can't improvise that stuff. You can improvise when there's just two of you standing in a kitchen and the most dramatic thing that's going to happen is someone's going to open the fridge.
When you click on a link, you are replicating the string of code that it links to. Replication of code sequences isn't life, any more than replication of nucleotide sequences is, but we know that it sometimes leads to life.
We knew that all the protein-coding bits of genes do is to produce protein - they have to have instructions to turn them on and off. Those sequences lie well outside the protein-coding sequences, sometimes thousands, tens of thousands of bases away.
This is the Bond of the new millennium. Everything is updated, from the action sequences to the interaction between the characters. All the elements reflect changes that have occurred in the world in recent years.
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