Most of my films have been documentaries, but I'm also very interested in narrative filmmaking.
I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits.
I've always loved the collaborative side of filmmaking, and there's a lot of things I can do in the acting side of things in terms of the creating of action sequences, and coming up with ways of doing things with a stunt coordinator.
The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
The documentaries were something that I could do for a small amount of money, and then I felt like as long as I found the truth in the stories I was telling as a doc, I could teach myself filmmaking through doc filmmaking.
My stated goal as a filmmaker is to feel something. Is to have a palpable emotion in my life, carry it through the gauntlet of the filmmaking process and try and have it land for an audience at some point during the viewing experience. That to me is successful filmmaking.
I do know some of the world's richest people. In monetary terms, they all performed very well. In terms of a fulfilling life, I am less sure.
Documentaries have always inspired me in narrative filmmaking.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
My documentaries have always been very much constructed in the spirit of dominant cinema. From the time I started making non-fiction, I was mainly interested in designing and creating documentaries like fiction, so it was a natural evolution to try and embark on doing a dramatic narrative.
I never really had any intention of getting involved in documentaries until the opportunity came around. I always thought much more in classic fiction cinema terms and I think I tried to apply those ideas to documentaries and not vice versa.
Critics can say what they like about the films, but very often, there's a certain expectation of documentaries that they're supposed to be like PowerPoint presentations. I see documentaries as movies. So when I see some critics writing that we could have done without the recreations altogether - well, perhaps.
One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I'm doing that. I'm enjoying that.
I dream of not having access to technology. I think it's a very wonderful time that we have found ourselves in, in terms of access to information, but alone time is better for some personalities than others. And I would very gladly give it up. I think I'd do very well.
Well, this is good for me, this is experience, I am here for a reason, these moments run into pages, the seamy side of life.
Filmmaking is really connected to life and all of the expressions that different arts found to allow access to life. Filmmaking touches on all of it.