A Quote by Rohit Shetty
Hema Malini and Nutan were my childhood crushes! I met Hemaji once when dad took me to the set of a film. Both these ladies stole my heart with their beauty and grace.
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The stars of yesteryears are the grandmothers of today, so why would they cast a Suhasini Mulay, when they can cast a Hema Malini?
I stole a piece of the chess set on the first film. I took a piece of the treasure out of Bellatrix's vault on this film. And I've taken my wand and I've got my cloak.
You don't get time to meet your peers such as Dharmendra and Hema Malini very often. Award functions or other events are the only places you meet them, unless there is an emergency. Then we all come together.
I was a complete anomaly in this business. I didn't fit into the Hema Malini-Zeenat Aman commercial cinema mould, neither the Shabana Azmi-Smita Patil art cinema mould.
It was lucky that Ralph [Fiennes] is someone who understands both film and theater and we were able to understand that scene so well before we took it to the set.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
We already had an adopted daughter, 10-year-old Courtney, from my previous marriage. To me, there is no difference between 'natural' and 'adopted.' My own childhood showed me that when it comes to loving your kids, concepts like that don't apply. I was the oldest of six, and three of my siblings were adopted. Mom and Dad even took in foster children. 'There are no limits to how much you can love,' Dad always said.
As a boy, I once saw a cart of melons that sorely tempted me. I sneaked up to the cart and stole a melon. I went into the alley to devour it, but no sooner had I set my teeth into it, than I paused, a strange feeling coming over me. I came to a quick conclusion. Firmly, I walked up to that cart, replaced the melon - and took a ripe one.
I'm sure you're gonna be taught, if you haven't already, that the people that were here, the Native Americans were beautiful, they were wonderful, they were at one with nature, and these evil white Europeans like Columbus came in and killed them and took them, imprisoned them, stole what was theirs, took it for ourselves.
Both my mom and dad were quite supportive. They never ever stopped me in realizing my dreams in the film industry.
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film.
I have four sisters at home, and both my mom and dad worked, and both of them took care of us. It wasn't like my mom was fully domestic, or my dad was fully domestic: they were just equals in their relationship. So I grew up with the perspective that women should be pursuing their dreams and not have to depend on a guy.
My dad was an adventurer, my mother a romantic. When they met in college, both were creative writers; the writing was a bond.
In the early days, I loved Facebook. I loved being able to keep tabs on hundreds of college classmates all at once, of being able to tag all my dorm mates in the photos we took on our garbage 7 megapixel cameras, of creeping on crushes, of keeping up with every person I met at a party or in a classroom without doing very much work.
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