A Quote by Roman Polanski
I admire actors for their infinite patience. That's why they need all those trailers and all their crowd of people who pamper them. But it is a drag to get up sometimes at 4:30 in the morning and get into makeup, and wait forever until they call you onto the set.
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You have to lay down in the center of the action lay down and wait until it charges then you must get up face it get it before it gets you the whole process is more shy than vulnerable so lay down and wait sometimes it's ten minutes sometimes it's years sometimes it never arrives but you can't rush it push it there's no way to cheat or get a jump on it you have to lay down lay down and wait like an animal .
I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.
You see those magazines, 'Oh, look at so-and-so without makeup, Halle Berry without makeup.' It's so crazy to wake up in the morning and have that thought - 'Do I need to put makeup on? Do I need to do something because I know people are going to know who I am?'
At first it was like, 'I don't want to date no drag queen.' I guess it's considered taboo and funny. I always have to set my friends straight and say, 'We're two gay men, and that is why we're attracted to each other.' We don't kiss in drag usually, it messes up our lipstick. Sometimes I'll try, and she'll be like, 'Get away from me.'
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
If, as a culture, we don’t bear witness to grief, the burden of loss is placed entirely upon the bereaved, while the rest of us avert our eyes and wait for those in mourning to stop being sad, to let go, to move on, to cheer up. And if they don’t — if they have loved too deeply, if they do wake each morning thinking, I cannot continue to live — well, then we pathologize their pain; we call their suffering a disease. We do not help them: we tell them that they need to get help.
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
In the States actors get their own trailers, but in Korea all the actors group up in one room, and stay there together the whole day.
Maybe 5 or 10 minutes before going on the court, I'll do some fast feet movements or sprint, but the only problem with that is sometimes after you finish warming up, you wait to get on the court, and you end up cooling down a little. It's not always ideal, but that's why I wait until the very last moment to do all of this.
I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming but it reduces the chances of 'misunderstandings' on set.
I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming, but it reduces the chances of 'misunderstandings' on set.
When I hug her, I notice she's still wearing yesterday's false eyelashes. Mom? You know those come off with a little makeup remover and a cotton pad?" I'm not taking them off." Why not?" I spent $180 on that makeup job and I refuse to wash my face until I get my money's worth.
I always say that drag queens are like an exaggeration of women, and I'm like an exaggeration of drag queens. People ask, 'Why do you do your makeup so differently?' and I always say, 'Well, in a subversive art form, ask yourself why so many drag queens do their makeup exactly the same.' If you can do anything, why does everybody do the same thing?
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
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