A Quote by Ron Clements
We really wanted someone from the culture to sort of do that. And we heard about Taika [Waititi]. We saw his movie Boy, which that he had directed and written and which was great. We read another one of his scripts that was great. And we brought him in, showed him what we were doing. He really liked the idea.
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I'm from Arkansas, so I didn't even know who Howard Stern was until I was about 18 or 19. I only kind of knew what I had heard about him; then I saw him doing his thing. That's what I really liked about him.
Taika [Waititi] came up... We kind of had and we sort of named this girl Moana, named after the ocean. And we had a very, a visual outline of the story. And we heard about Taika from people in the South Pacific that we talked to.
I am always for getting a boy forward in his learning, for that is sure good. I would let him at first read any English book which happens to engage his attention; because you have done a great deal when you have brought him to have entertainment from a book. He'll get better books afterwards.
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
I like Taika Waititi a lot. I thought 'Boy' was a really wonderful film, had great resonance. Very sad but also very funny. I thought 'What We Do in the Shadows,' the vampire film, was fantastic.
I get sent a lot of scripts which feature him as a kind of all-purpose Victorian literary character and really understand little, if anything, about him, his life or his books.
She showed him something no one else had ever shown him; that it was possible to love someone more than himself; that another's suffering could bring him more agony than his own; that someone's life could come before his; that's what she showed him.
The main qualities that had earned him this universal respect in the service were, first, an extreme indulgence towards people, based on his awareness of his own shortcomings; second, a perfect liberalism, not the sort he read about in the newspapers, but the sort he had in his blood, which made him treat all people, whatever their rank or status, in a perfectly equal and identical way; and, third - most important - a perfect indifference to the business he was occupied with, owing to which he never got carried away and never made mistakes.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
When Bernie Sanders came along, and I liked his tweets and I read more about him, researched him more, I decided I like him and his policy, even more than just I like another guy in the Democratic Party, I really believed in it. And when you believe in something, you get out and work for it.
At Somerset I played with Marcus Trescothick who has spoken very openly about his battle with depression and anxiety. I had a few conversations with him about his problems but I also read his book which provided me with a great insight into what he went though.
I got to meet Andy [Hertzfeld], and he sort of opened his life to me. He showed me Palo Alto and we had food together and I met his wife and saw his home. We talked a lot about his experiences, and I just tried to absorb as much about him as I could.
When I'd read the script [The Man], [ Eugene Levy] that's who I'd seen in my mind. When I ran into him, I said to him, 'I read the script. You'd be great.' He had no idea what I was talking about. Then, we saw each other again in London. He'd read it and was enthused about it.
I just read about John Le Carre, the great spy novelist. He had an absolutely miserable childhood. His mother deserted him when he was young. His father was a playboy and a drunk. He was shifted around to many different homes. He knew he was a writer when he was about nine, but he was dyslexic. So here was a person with an absolutely messed-up childhood and a symptom that prevented him from doing what he wanted to do most. Yet that very symptom was part of the calling. It forced him to go deeper.
And so take away his work, which was his life [. . .] and all his glory and his great deeds? Make a child and a dotard of him? Keep him to myself at that cost? Make him so mine that he was no longer his?
Start dating someone who is funny, someone who has what in high school you called a "really great sense of humor" and what now your creative writing class calls "self-contempt giving rise to comic form." Write down all of his jokes, but don't tell him you are doing this. Make up anagrams of his old girlfriend's name and name all of your socially handicapped characters with them. Tell him his old girlfriend is in all of your stories and then watch how funny he can be, see what a really great sense of humor he can have.
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