A Quote by Ron Clements
It was actually after I saw 'Pinocchio' that I thought I might try and work in that industry in some way.
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Bollywood is a place which is completely free from caste, region and religion. Some people might work in the industry with the help of networking but I feel is that it's your artistic competence that gets you work in industry.
I guess I try and learn all the time from every experience in life, so my thinking is a hybrid of everything. I'd have to attribute some of that to my work in the fashion industry - in some obscure way.
I work from opposites to opposites, in a way. It's finding one thing and then doing the other from film to film. So maybe after 'I Saw the Devil,' I might do something like 'I Saw the Angel' or perhaps something warm and happy.
There was a time when I was - after my very first record from Nashville, I thought I might not be one of those who actually really makes it, and I may end up back in Canada, just playing clubs. And that might - this might have just been it.
I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.
I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.
I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.
After the miners' rally, when I saw how emotional everyone got when I sang, I thought I might get somewhere with singing
In Vice, I saw all of it in one. I saw a studio. I saw a content creator. I saw an agency. I saw a distributor. We want to learn from them. They're talking to a generation we're struggling to connect to as an industry.
When I first saw children's television, I thought it was perfectly horrible. And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen.
It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.
At one point, I actually, ironically, thought I might go into criminology and work with the FBI.
I think what I reacted to so strongly when I first saw 'Pinocchio' was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.
I try to have fun; I try to inject myself into my work and have a good time along the way and not lose sight of who I am, and who my friends are, and all of these things that treating it like a business might hinder. I try to keep that hobby mentality.
Believe it or not, my introduction to scary literature was 'Pinocchio.' My mother read it to me every day before naptime when I was three or four. The original 'Pinocchio' is terrifying.
Probably some of the projects I chose to do after that had more to do with what people thought of me. The industry was very open and probably hoping that I could do anything.
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