A Quote by Ron Howard
I went with a friend to see Frank Sinatra in Las Vegas, in the last year that he was performing. He wasn't necessarily on top form, but the way he could connect with an audience and the way he communicated through the lyrics was something I hadn't ever really seen before.
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I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
When I lived in Las Vegas, I was meeting everybody: Sammy Davis Jr., Frank Sinatra, Elvis Presley, Engelbert Humperdinck, Tom Jones - we won't go there - but all these people that were working in Vegas a million years ago, way before I was Elvira.
All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.
I pride myself on never using a cuss word on stage. Ever. I headline in Las Vegas every year, and this summer I am performing on an Alaskan cruise. Not too many comedians can pull that off. Funny thing is, my show doesn't change for Vegas.
I cherish the memory of being a friend of Frank Sinatra on a friendship level to the point where we really hung out. We worked in Vegas, we'd talk on the phone, and if I wasn't doing anything, I'd fly out, and I spent time in Palm Springs at his house - on a level the way friends would be, not with a whole crowd of people.
I cherish the memory of being a friend of Frank Sinatra on a friendship level to the point where we really hung out. We worked in Vegas, wed talk on the phone, and if I wasnt doing anything, Id fly out, and I spent time in Palm Springs at his house - on a level the way friends would be, not with a whole crowd of people.
When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help.
There was no way I was ever going to get a fair shake. How good could I be? I was Canadian. I wasn't from New York. I wasn't from Vegas. I was born in 1975, not 1917. My last name wasn't Sinatra or Darin or Martin. Early on and often, there was always the comparison. "He's good, but he's no '[fill in the] blank.'
There is a man up in Philadelphia, I've known him for 50 years now, his name is Sid Mark. He does a radio program featuring Frank Sinatra music exclusively - one show for decades, "Friday with Frank," "Saturday with Sinatra," "Sunday with Sinatra," for decades. This is something that is really quite important.
When I was 17 years old, Frank DiLeo saw my very first music video and flew to my hometown of Las Vegas to meet with my family and me. Frank told my dad, 'I am coming out of retirement to manage one last big act: Manika.'
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
The way I see it, before I can sell an audience Frank Sr, I have to sell them Frank Jr first.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
Opening for Mr. Sinatra in 1991 enabled me to do Vegas more as an opening act. I did the Superdome with him, probably nine arenas over a year and a half, and his second-to-last appearance at the Desert Inn in Vegas.
These days I'm headquartered out of Las Vegas, which is what I consider and the world considers to be the entertainment capital of the globe. It's been interesting because I've seen the rise of Vegas and in recent years I've seen the fall of Vegas. It's now interesting to take a look at it as it begins its bounce back again.
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