A Quote by Ron Howard
I don't choose something unless I think I have a personal understanding and something I can offer. It's not always thematic. I wanted to do 'The Grinch' because I wanted to direct Jim Carrey creating that kind of comic fantasy character live. I just thought that would be a mind-blowing experience, and it creatively was.
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It's what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I'm about.
I knew I wanted to direct since I was a kid. That was something I was always fascinated by and wanted to experience and see if I would be any good at it.
I don't know what would be antithetical to do on the other side, maybe a Tyler Perry movie or something. No, there are very few comedies that live in between that. Or you're doing some kid thing like a Jim Carrey movie with animated something that's like that. Yeah, I've wanted to do them. I like doing them. I did Talk to Me. That was pretty much a comedy.
I always wanted to come into the spotlight. I always had dreams and plans of doing my own thing and creating my own image, so it came a little sooner than I thought it would but this is still something I knew I would be going through and would have to experience.
I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.
I was a giant fan of 'Whose Line Is It Anyway' in high school, and I was obsessed with Jim Carrey and cut out any picture of Jim Carrey that ever came in any kind of magazine. I put it all over my walls. At the time, I thought humor was just repeating lines from 'Ace Ventura' ad nauseum in the back of my advanced math class.
People ask me what it was like working with Jim Carrey. Well, I never really saw too much of him. I would talk to him on the set, but I was looking at a Grinch facade. It was his voice and all, but... Jim is amazing to watch in front of the camera. I learned a lot from him. He was also always very nice and generous to me.
My fantasy life was very full. Certainly when I was a kid, I probably wanted to be an actor because I wanted to be a princess, or something magical, and get to dress up magically, and have the kind of life that I hadn't been born into, with magic powers or whatever, and live this wonderful idealised life.
I wanted to become a model out of delusion. It was always something that I wanted to do, I just never thought that I would have the opportunity.
I decided to launch a fragrance because Aeropostale approached me about creating one, and it's something that I kind of always wanted to do but didn't think it would actually happen. So when I heard I had the opportunity to create my own perfume, I got super excited.
I wanted to be in Jim Carrey comedy movies before I met him. I wanted to be a comedian on Stage 19, yukking it up.
As a child, my sister and I had very fruitful imaginations, and I would think that I wanted to be one profession or I'd want to have this experience in life. I realized it's not because I actually wanted to be a Coast Guard helicopter rescue pilot or something like that - I just enjoyed the idea of playing it.
I think that education works up to a certain point... I think unless I wanted to be like a nurse, or a doctor, or something that required that kind of knowledge, then education is fine. But I didn't really know what I wanted to do, so I didn't see the point in spending seven more years of my life studying something.
So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story.
I wanted my first film to be something where I was surrounded by an amazing cast. I wanted to do something that was completely unexpected, totally out of the box, something that would blow people's minds, that the last thing on the planet earth they would ever think I would do would be it.
I can't trace thematic similarities between Then We Came To The End and The Unnamed to a life event; I think it's more just a natural progression as a writer. Everything changes in the second book - tonally, character-wise, situationally - and on top of that, I think I wanted a challenge. I wanted to see if I could do it.
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