A Quote by Ron Howard

I'm not really a sequel guy. I did 'Angels & Demons' after 'The Da Vinci Code,' because I like working with Hanks, and I felt it was a really different sort of world that we were visiting. That was, of itself, interesting.
It is no secret that I have read 'The Da Vinci Code' several times. I genuinely believe that 'The Da Vinci Code' and 'Angels And Demons' are, by far, Brown's best works.
Tom Hanks, who starred in 'The Da Vinci Code,' turns out to be related to a number of the historic characters that feature in 'The Da Vinci Code,' including William the Conqueror and Shakespeare.
The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.
Carter Hall is a cross between Indiana Jones and Robert Langdon from 'Da Vinci Code' and 'Angels and Demons.'
'The Da Vinci Code' and films of that nature are the ones that I really enjoy because you are learning and working out riddles as you go along.
What I really like to do is write 'genre' stories without a cartoonish element. I did the same with 'Da Vinci's Demons,' and I'll do the same with 'Man of Steel.'
I really enjoyed reading 'The Da Vinci Code,' but from a literary standpoint, the book did not live up to the hype.
I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.
I have very close friends who are very devout Catholics, and I talked to them before the 'Da Vinci Code,' and it was very difficult for them, but I talked to them before 'Angels and Demons,' and they said the scandal, abuse of power and violence was part of church history, which you can read about in the Vatican bookstore.
I love the virtuosity and imaginative chutzpah of 'Da Vinci's Demons,' and not just because my boyfriend is in it!
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
I found it interesting that as people become more technically oriented all over the world, at the same time people are becoming increasingly spiritual. The success of the Da Vinci code - even though it was a great yawn - also showed people's interest in religion.
I was so hooked to 'The Da Vinci Code' that I jumped out of bed at 2 A. M., and could only go back to sleep after I'd finished the final few chapters.
I'm not a car person. Three years after 'The Da Vinci Code' came out, I still had my old, rusted Volvo. And people are like, 'Why don't you have a Maserati?' It never occurred to me. It wasn't a priority for me. I just didn't care.
The best book I read this year was 'The Da Vinci Code.'
Mysticism and the supernatural are embedded in the show - it's called 'Da Vinci's Demons' for a reason, and it's not just metaphorical.
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