A Quote by Ron Howard
Sometimes there's something very comforting about a film unfolding more or less as you expect it to.
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The idea is to make the script out of a political analysis and then to convey that - sometimes in poetry, sometimes science, sometimes all it takes is a film. The film itself is less and less spectacular because I think very strongly now the more spectacular you are, the more you are absorbed by the things you are trying to destroy.
There are all sorts of things that would be comforting. I expect an injection of morphine would be comforting... But to say that something is comforting is not to say that it's true.
You want to have the experience. As far as the creative side, the more I do this, the more I know that it's all about the writing. You got on a film sometimes and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not. We're good at saying what other people have written, but for the majority of it, that's about it, comedians aside. It's all in the writing. Whether that's dialogue or character, or whatever, it doesn't matter. As long as they've done something special, than you can do something special.
There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.
There was something immensely comforting, I found, about a crumpet - so comforting that I've never forgotten about them and have even learned to make them myself against those times when I have no other source of supply.
The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
As far as the creative side, the more I do this, the more I know that it's all about the writing. We don't always celebrate that enough, but without the writing, you can't do much. You got on a film sometimes, and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not.
If I am offered a biopic on a person people know almost everything about, what is the point doing it? A film on someone about whom very less is known is something that would interest me.
Loving a film is like falling in love with a woman or with a man like you never expect it. It it's not the one you think you will be in love with, you know. You think always that he will be with a beard, and black, and big and finally he's Chinese and you know it's the same thing. There's something very organic about the film and if you forgot it, if you don't have this seed in it...this organic flavor in it the film doesn't work it's wrong.
There's something grueling but very appealing about rough, to-the-bone material in a low budget context. There's less between you and the material. There are less people. There is less time. There's often less technology. You have to concentrate very intensely, and you jump in a little deeper because there's nothing in your way... but there are challenges.
Writing can be a bit like unfolding something...Slowly, the writer reveals what's happening. But that's only half of what's going on. Writers are very cunning people who are not only unfolding and revealing. Just like conjurors and magicians, they are hiding stuff too.
The key to a better life: Complain less, appreciate more. Whine less, laugh more. Talk less, listen more. Want less, give more. Hate less, love more. Scold less, praise more. Fear less, hope more.
There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film.
I think, the argument sometimes that I've had with folks who are much more interested in sort of race-specific programs is less an argument about what is practically achievable and sometimes maybe more an argument of "We want society to see what's happened, and internalize it, and answer it in demonstrable ways." And those impulses I very much understand.
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