A Quote by Ron Howard

There was a combination of shyness and just fear of looking stupid that kept me out of a lot of interesting creative conversations that I could have had at an early age.
You know, at that age you want to show everyone else how wild you are. It's a combination of being bored, looking for a cheap thrill and being really stupid - a dangerous combination.
Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.
For me, the passion of being an astronaut was ignited at an early age. I have this recollection of looking at a picture of the Apollo program - Neil Armstrong standing on the Moon - then looking at the night sky and realizing that, right where I was looking, people stood and looked back at the Earth. Even as a fairly young child, that was not lost on me, and it inspired me to pursue my dream. I didn't know if I would ever become an astronaut, of course, and the odds are not in your favour, but I just kept it in the back of my mind and tried to keep those options open.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I was born three weeks early, and I kept being ill. From the age of zero to four, I was always in hospital having tests done, but they couldn't find out what was wrong. They discovered that one of my kidneys wasn't working properly, and it had scarred. I had to have 32 injections in my arm in the morning and evening to try and make me better.
I'd get beat up a lot early on. I wasn't the strongest, fastest or most skilled guy there, but I had a lot of heart and kept showing up. I just started getting better and by the time I was 13 I was knocking older kids and amateurs out.
Though my mom had too many of her own dreams denied, deferred and destroyed, she instilled in me that I could have dreams. And not just have dreams but had a responsibility to make them reality. My mom taught me from a very early age that I could do anything I wanted to do.
Theorists tend to peak at an early age; the creative juices tend to gush very early and start drying up past the age of fifteen-or so it seems. They need to know just enough; when they're young they haven't accumulated the intellectual baggage.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
I was always looking for a career that could combine my creative interests with my technical side, and it ends up directing films is the perfect combination.
I remember my parents yelling at each other and at me from an early age, and I remember a lot of things smashing. I try to look for the happy memories from the brief time my parents were married, and I can't really recall that. From the start things were messed up, and I just kept moving through the years and trying to pick out the little bits of evidence that would help me prove to myself that it wasn't my doing. But it took finding out somebody really does love me, who's not my parents or a relative, to really know that I was loveable.
In the early 1980s, I got into a war with my management - they just kept on sueing me and I lost everything. So I had to go out on tour to make sure the electricity stayed on.
In the early 1980s, I got into a war with my management - they just kept on suing me and I lost everything. So I had to go out on tour to make sure the electricity stayed on.
I started studying shyness in adults in 1972. Shyness operates at so many different levels. Out of that research came the Stanford shyness clinic in 1977.
Predominantly training myself for so long worked, I had great success. But if I had someone there training me day-in day-out from an early age? It could have been a whole different story.
I liked the monsters, I liked them because I couldn't understand how something so scary could also be so good. It got me thinking as a very early age, and I had a lot of rehearsal.
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